Search - Sonic Youth :: Dirty (Deluxe Edition)

Dirty (Deluxe Edition)
Sonic Youth
Dirty (Deluxe Edition)
Genres: Alternative Rock, Pop, Rock
 
  •  Track Listings (19) - Disc #1
  •  Track Listings (16) - Disc #2

A fresh listen to the original 15 tracks on Dirty reminds one just how great this 1992 album in its original form. Remember the pop-sludge of "Sugar Cane"? The polit-grit of "Youth Against Fascism"? The sexy grind of "Drun...  more »

     
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CD Details

All Artists: Sonic Youth
Title: Dirty (Deluxe Edition)
Members Wishing: 4
Total Copies: 0
Label: Interscope Records
Original Release Date: 1/1/1992
Re-Release Date: 4/8/2003
Album Type: Enhanced, Original recording reissued, Original recording remastered
Genres: Alternative Rock, Pop, Rock
Style:
Number of Discs: 2
SwapaCD Credits: 2
UPC: 606949341022

Synopsis

Amazon.com
A fresh listen to the original 15 tracks on Dirty reminds one just how great this 1992 album in its original form. Remember the pop-sludge of "Sugar Cane"? The polit-grit of "Youth Against Fascism"? The sexy grind of "Drunken Butterfly"? How about SY?s version of wistfulness on "Wish Fulfillment" or their brilliant, nonsensical cover of the hardcore number "Nic Fit?" Plus, you had "Chapel Hill, "JC," "Purr, and "100%" to rock you into froth. Now, take all that and add a dozen (mostly) instrumental rehearsal recordings of those songs taking shape ("Barracuda" emerged as "Drunken Butterfly," while "Guido" and "Little Jammy Thing" gave birth to "Wish Fulfillment"). These rehearsal tracks follow two previously released instrumental B-sides--"The End of the End of the Ugly" and "Tamra"--creating a blissfully long wash of sound, veering from hypnotic, pastoral soundscapes to kinetic experiments held together by dark, probing rhythms. The second disc alone is priceless given that it may be the closest thing to a true instrumental Sonic Youth release that will ever appear. A handful of other B-sides and goodies round a collection that's worth every penny it costs. --Lorry Fleming

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CD Reviews

You ain't alternative unless you own this album!
Wheelchair Assassin | The Great Concavity | 05/15/2004
(5 out of 5 stars)

"Regrettably, Sonic Youth haven't gotten as much credit as they deserve as some of the original purveyors of what has since come to be labelled alternative rock, but "Dirty" provides convincing proof that they just may have done it better than anyone else. Many of the rock bands that gained prominence around this time brought somewhat of an unschooled ethic to their sound, but "Dirty" is a unique, diverse, and immensely enjoyable listen that may well have seen the Youth at the height of their powers. Many of the rock bands that gained prominence around this time brought somewhat of an unschooled ethic to their sound, but these guys (and girl) somehow managed to combine that rawness with their brilliant musicianship to give listeners the best of both worlds. This is yet another one of those albums I wish I had gotten years ago, but I guess I wouldn't have appreciated it that much back then. Some of the extended, intricate instrumental passages that characterized earlier albums are still present, but for the most part the songs here are shorter, sharper, and more efficient than their predecessors, continuing the process that was begun right around "Goo." Yes, by this point the band had embraced a more traditional rock songwriting format, but these songs rock so hard and so well I can't imagine anyone objecting. Witness the hard-driving metallic riffage and swirling feedback of "100%," the supremely catchy hooks of "Sugar Kane," the thumping rhythms of "Youth Against Fascism," and the primal force of "Purr," which combine with Thurston Moore's swaggering vocals to create significantly more fun and interesting listens than anything Nirvana and Pearl Jam were putting out at the time, let alone today's horrible faux-grunge knockoffs like Nickelback and Puddle of Mudd. Elsewhere, Kim Gordon contributes her trademark punkish aggression on "Swimsuit Issue" and "Drunken Butterfly" and some eerily atmospheric vocals on the edgy "Shoot" and the haunting "The Strip." Another classic, "Theresa's Sound-World," starts out slow and subdued before steadily building to a series of crescendos and some great instrumental segments where Thurston and Lee Ranaldo get to demonstrate their grasp of subtle tonalities. And just in case all that's not enough, "Dirty" has now been repackaged with enough bonus material to make collectors salivate all over themselves. Tacked on to the end of the original album are four B-sides of varying quality, and even better, there's a whole bonus disc constisting almost entirely of instrumental tracks, many of which eventually found their way onto the album in altered forms. Much as I like the vocals on the finished products, listening to the all-instrumental rehearsal takes provides a whole new perspective enabling the listener to focus in on the intricacies of the music with nothing getting in the way. Great stuff this "Dirty" is, and with all the bonus material this reissue is more than worth its price tag."
Worth getting...used
someguy | United States | 11/08/2005
(4 out of 5 stars)

"I agree with both sides on this one. On one side, this record sounds 100% better (no pun intended) than the original. I saw them live last year and this remaster actually sounds really close to their live sound. On the other hand, the reissue is priced at a rediculous amount. The solution? By it used like I did. I got it off of half.com for $13 (plus shipping). It's definately worth it just for the sound quality alone, let alone the additional b-sides, nice packaging, and liner notes."
What do I do with the original recording?
Phillip Kerman | West Linn, OR USA | 08/27/2004
(5 out of 5 stars)

"This release is really great. Sort of irks me that the original release (that I owned) is such a bad mix compared. But unlike many other re-release remixes, this one gives you more than 1-cd worth of bonus tracks (some of the extra tracks are on disk 1). Anyway, I checked it out from the public library and figured I'd just listen to the extras. But the remixes of the old songs are really compelling. It's almost like the original is FM radio and this one is CD. Whatever. I don't know if you "aint alternative if you don't own this album" but I can definitely say it's the best release I've heard in several years--and it's an "oldie"."