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Dvorak, Rilling
Stabat Mater
Genre: Classical

Track Listings (4) - Disc #1
1. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 1, 'Stabat mater dolorosa' (quartet, chorus)
2. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 2, 'Quis est homo, qui non fleret' (quartet)
3. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 3, 'Eia mater, fons amoris' (chorus)
4. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 4, 'Fac, ut ardeat cor meum' (Bass, chorus)
Track Listings (6) - Disc #2
1. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 5, 'Tui nati vulnerati' (chorus)
2. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 6, 'Fac me vere tecum flere' (Tenor, chorus)
3. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 7, 'Virgo virginum praectara', Chorus
4. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 8, 'Fac, ut portem Christi mortem', Duet (Soprano, Alto)
5. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 9, 'Infalmmatus et accensus' (Alto)
6. Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58): No. 10, 'Quando corpus morietur' (quartet, chorus)

CD Details

All Artists: Dvorak, Rilling
Title: Stabat Mater
Members Wishing: 0
Total Copies: 0
Label: Hanssler Classics
Original Release Date: 1/1/2000
Re-Release Date: 2/29/2000
Genre: Classical
Styles: Opera & Classical Vocal, Chamber Music, Historical Periods, Classical (c.1770-1830)
Number of Discs: 2
SwapaCD Credits: 2
UPCs: 040888893523, 714249893520

Synopsis

Amazon.com essential recording

Since the Middle Ages, this text has inspired composers in two fundamental ways: they have set it to music in fulfillment of a vow to the Virgin Mary, whom they believe has answered some prayer or petition; or they have purged themselves of some personal sense of grief in setting this moving text, which describes her sorrow as she weeps at the foot of the cross. Between 1875 and 1876, Dvorák lost three of his children to illness or accident, and it's no wonder that he chose to express his sorrow in such moving and very personal music. Helmuth Rilling's performance emphasizes the confessional nature of this essentially intimate piece, while at the same time keeping the music flowing steadily. This is not an everyday sort of experience, but on its own terms it's a deeply emotional one. --David Hurwitz

CD Reviews

A neglected masterpiece

01/14/2003

(5 out of 5 stars)

"In the summer of 1996, I sampled a taste of the Oregon Bach Festival, held in Eugene. The program that night featured one of the most unjustly-neglected pieces of classical music. The chorus and orchestra led the cocertgoers on an epic journey of music making that evening. I will never forget it.Lovers of choral music must treat themselves to this negelected masterpiece! It is one of my all-time favorites. The recording is worth it."

Touching, Gripping Choral Dvorak

rodboomboom | Dearborn, Michigan United States | 05/07/2004

(5 out of 5 stars)

"Gripped in the anguish of losing three children in a row, Dvorak poured himself into finishing this piece begun earlier at the death of his first infant daughter in 1875. First performed in 1880, the composer must have been deeply touched by the warm reception given him on the Continent and in North America.Marked by emotional outbursts and then settling into serene pastoral sounds, this work is rhythmic in its movement from choruses to solos to ensembles.Flowing around a well known 13thC text (by some felt to be da Todi's) concerning the Holy Mother's remorse at the crucifixion of her son Jesus -- this is emminent text and passion.Such passion and sweet grief, e.g. "Who on Christ's dear Mother thinking such a cup of sorrow drinking, would not share her sorrow deep?"My favorite turns out to be the popular alto solo "Inflammatus et accensus" "All my heart, inflamed and burning, Savior, now to Thee is turning; shield me in the Judment Day. By Thy Cross may I be guarded, meritless--yet be rewarded through Thy grace, O living Way."Here performed by Oregan Bach Festival Choir and Orchestra conducted by renown Helmuth Rilling in a 1995 recording, the soloists are wonderful, especially soprano Marina Shaguch and Tenor James Taylor.Dvorak's passionate work here with accompanying text in German, French and English is wonderful, inspirational comfort and work of serene beauty."