All Artists:Stan Getz Title:Focus Members Wishing: 3 Total Copies: 0 Label:Polygram Records Original Release Date: 1/1/1985 Re-Release Date: 6/24/1997 Album Type: Original recording reissued, Original recording remastered Genres:Jazz, Pop Styles:Cool Jazz, Modern Postbebop, Bebop Number of Discs: 1 SwapaCD Credits: 1 UPC:731452141927
Synopsis
Album Description
Japanese remastered reissue of 1961 album, packaged in a miniature LP sleeve. Universal. 2003.
Hate to agree with the negative reviews - but there is much
From North Dakota | USA | 01/13/2009
(1 out of 5 stars)
"Stan Getz was great. This CD, however, is hard to listen to. It sounds like music I used to hear in my dentist's office. If you like Charlie Parker with Strings, you'll love this album. If you enjoy straight ahead jazz, consider yourself forewarned!!!"
Getz's Classical Side is a Winner
thewakester | Califonia United States | 01/27/2007
(5 out of 5 stars)
"All of his life, Getz explored many avenues in music. Yes, all of Sauter's original musical score on this album sound like a film noir movie score from the 50s, but the brilliance of Getz's sound overshadows all of that. Getz's tonality is unbelievable, and "I'm Late, I'm Late" is an all-time treasure (not to mention "Night Rider"), just like "Take Five" was for Dave Brubeck. Getz just can't be remembered for the Samba stage of his life (e.g. Jobim and "Girl from Ipanema"); the "classical" side of his brilliance must shine as well. "Focus" does that for us."
One of a kind
James | Indianapolis, IN United States | 09/12/2008
(5 out of 5 stars)
"By 1961 when "Focus" was recorded, Stan Getz was a rising jazz star. "Focus" is one of a kind. The strings are not used as "filler" behind Getz's marvelous playing. The Beaux Arts Orchestra does not sound as if they are a "second thought". Their contribution is integral to the magic that is "Focus". The composer Eddie Sauter, who arranged for Benny Goodman, and Getz have successfully united both strings and horn into one joyous celebration of sound. Both Getz's horn and Beaux Arts strings interact in a "call and response" which is why this music is unique among "Third Stream" jazz recordings. Few "jazz and strings" recordings have succeeded in their mission as well as "Focus". While "Charlie Parker with Strings" (1947-49) set a precedent, Getz and Sauter's work abundantly fulfilled the "Third Stream" vision."
Bringing the rest of the world into "Focus"
Eric C. Sedensky | Madison, AL, US | 03/21/2009
(5 out of 5 stars)
"By now everyone knows the story of how Stan Getz just asked (famous arranger/composer) Eddie Sauter to write a suite or something for strings that Getz could play over. Sauter did as asked, and Getz did as planned. And while the story is interesting enough, the music is even more so. This masterful album is, very simply, the top of the saxophone heap. It is rumored that John Coltrane said of Stan Getz, "If all of us [sax players] could play that way, we would." I feel fairly certain that Coltrane had this recording in mind when he made that statement. At no time does Getz seem out of synch with the orchestra, even though they were not recorded together and overdubbing was kept to a minimum. Stan just knew where he wanted to go with every melodic nuance, and he promptly took the songs there. Imagining this recording without sax is not easily accomplished because of the stunning complexity and subtlety Getz brings to each song. No wonder. He did two takes of the first song and the producers found them both so good, they jammed them together into one song. Then there's the bonus tracks that provide some more insight into Getz's genius, as the listener gets to see a little different way of looking at some of the songs. This really is a great "bonus" in that sense. The copious liner notes, both original and updated, put this historic, one-of-a-kind masterpiece in perspective. I just can't think of anything negative to say about this CD. If you're into jazz and you don't have this yet, you need to grab it up. If you're not into jazz but intrepid enough to pick this up, prepare to become a jazz convert. To see jazz as its meant to be seen, all you need is a little "Focus".