Baby, Won't You Please Come Home? - Stan Kenton, Warfield, Charles
Fine Fine Deal - Stan Kenton, Matthews, Stan
More Than You Know - Stan Kenton, Eliscu, Edward
Painted Rhythm - Stan Kenton, Kenton, Stan [1]
I Don't Know Why, I Just Do - Stan Kenton, Ahlert, Fred E.
I've Got the World on a String - Stan Kenton, Arlen, Harold
Ecuador - Stan Kenton, Roland, Gene
More Than You Know - Stan Kenton, Eliscu, Edward
Sepulveda - Stan Kenton, Evans, R.
I'd Be Lost Without You - Stan Kenton, Skylar, Sunny
Artistry in Harlem Swing - Stan Kenton, Roland, Gene
Please Be Kind - Stan Kenton, Cahn, Sammy
By the River Sainte Marie - Stan Kenton, Leslie, Edgar
I Got It Bad (And That Ain't Good) - Stan Kenton, Ellington, Duke
April in Paris - Stan Kenton, Duke, Vernon
If I Could Be With You (One Hour Tonight) - Stan Kenton, Creamer, Henry
Don't Worry 'Bout Me - Stan Kenton, Bloom, Rube
Fatal Apple [Unison Riff] - Stan Kenton, Roland, Gene
Sophisticated Lady - Stan Kenton, Ellington, Duke
Invention for Bass Trombone - Stan Kenton, Roland, Gene
St. James Infirmary - Stan Kenton, Primrose, Joe
Lover - Stan Kenton, Hart, Lorenz
Theme - Stan Kenton, Kenton, Stan [1]
Made for radio performance, these tracks have all the fidelity and presence of the recordings done in Capitol's studio for commercial issue. They give a breathtaking picture of the Kenton Orchestra of the mid-1940s. Kai Wi... more »nding, perhaps the greatest of all Kenton's trombonists, is the most stirring soloist. He is featured on Gene Roland's "Ecuador", an early and hugely successful Latin experiment, and he steals the limelight from vocalist June Christy on "I'd Be Lost Without You." Christy was at her best at this time. Accompanied by Kenton's piano, she turns in a beautiful "I Got It Bad." Another Ellington tune, "Sophisticated Lady" (Kenton didn't usually use Duke's songs), is a bass feature for Eddie Safranski, described by another member of the band as "having the biggest elastic band in the world." The album reflects the whole range of the band's repertoire, and the fiery instrumentals include "Painted Rhythm" and "Unison Riff." Four tracks at the end from an exciting Hollywood Bowl concert include a ripping version of "Lover" and the band's comic "St. James' Infirmary" in a seven-minute version. The album intertwines satisfyingly with the similarly excellent first volume, The Transcription Performances 1945-1946. --Steve Voce« less
Made for radio performance, these tracks have all the fidelity and presence of the recordings done in Capitol's studio for commercial issue. They give a breathtaking picture of the Kenton Orchestra of the mid-1940s. Kai Winding, perhaps the greatest of all Kenton's trombonists, is the most stirring soloist. He is featured on Gene Roland's "Ecuador", an early and hugely successful Latin experiment, and he steals the limelight from vocalist June Christy on "I'd Be Lost Without You." Christy was at her best at this time. Accompanied by Kenton's piano, she turns in a beautiful "I Got It Bad." Another Ellington tune, "Sophisticated Lady" (Kenton didn't usually use Duke's songs), is a bass feature for Eddie Safranski, described by another member of the band as "having the biggest elastic band in the world." The album reflects the whole range of the band's repertoire, and the fiery instrumentals include "Painted Rhythm" and "Unison Riff." Four tracks at the end from an exciting Hollywood Bowl concert include a ripping version of "Lover" and the band's comic "St. James' Infirmary" in a seven-minute version. The album intertwines satisfyingly with the similarly excellent first volume, The Transcription Performances 1945-1946. --Steve Voce