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Genre: Jazz Music
Media Format: Compact Disk
Rating:
Release Date: 13-SEP-2005
CD Reviews
Encounter: This is where it's at.
George H. Soule | Edwardsville, Illinois United States | 12/30/2005
(5 out of 5 stars)
"The liner notes to this CD recount the fortuitous 1962 meeting of Stanley Turrentine and the L.A. and Pacific Jazz based Les McCann Ltd. that produced this marvelous masterpiece of gospel inspired jazz. The disc features a handful of original compositions by McCann, Stanley Turrentine, and Stanley's brother, the trumpet player Tommy Turrentine. Part of Rudy Van Gelder's ongoing Blue Note reissues, the disc presents Stanley's always competent tenor saxophone in context with Les McCann's trio. The quartet is tight and competent, exemplifying the best of the gospel-soul inspired jazz of the 1960's. It's funky and soulful-and it swings. McCann's piano style has always seemed to me to be the authentic version of what Ramsey Lewis was trying to achieve commercially, and tunes like "Stacey's Smile" and "We'll See Yaw'll After While, Ya Heah," bear out that opinion. Les McCann is simultaneously modern and down home without pretension--be it shout or truth--and to my ear McCann complements Stanley Turrentine's lyrical and soulful tenor better than any other setting. This disc is certainly among Turrentine's best, and it's good to know that it's available again. This is where it's at, and you can't go wrong with this disc."
Soulful Groove
Jazz_Fan | Michigan | 12/09/2005
(5 out of 5 stars)
"That's where it's at is all Stanley needs to say with this album. Stanley Turrentine and Les McCann turn in a head bobbin' performance as they groove from song to song. Mr. Turrentine isn't a Coltrane or Rollins who would give you an endless stream of notes, instead he gives you some of the best Soul jazz I've heard from him yet. His excellent tone and sound make the
CD sound like it was recorded just the other day. This happened to also be my first taste of Les McCann on the piano, who solos and accompanies Stanley with great flare and vigor (as you can hear his moanin' in the background as he plays). Now a 5 star rating is probably a little high on an overall Jazz scale, but in regards to Stanley Turrentine, it is one of my favorite albums of his that I own. I recommend this album very highly to anyone who enjoys that Soulful Groove, Stanley Turrentine can bring with his Tenor Saxophone."
SOULFUL
Lester L. Carter | PHILA , PA | 08/01/2008
(4 out of 5 stars)
"They told the truth about this one. I've heard Stanley Turrentine before, but never like this. The brother is smokin'. Of course, Les Mccann is there to give that extra boost. My advice, slip this one on, turn down the lights, get that 'whatever' you're going to sip, and enjoy."
My favorite Turrentine album
G B | Connecticut | 09/05/2009
(5 out of 5 stars)
"I haven't heard all of Turrentine's Blue Note albums, but this one is probably my favorite. It's from the beginning of his run on the label, and despite falling comfortably in the soul jazz category will probably appeal to fans of more straight-ahead hard bop as well.
The magic ingredient here is Les McCann. His playing here combines extreme soulfulness and funk with melodic inventiveness. He also contributes most of the compositions - we blast out of the gate with the gospelly, dancing "Smile, Stacey", but also get the beautiful ballad "Doreen Don't Cry, I". Stanley's playing is superb throughout, and the rhythm section is tight!
Highly recommended!"
TWO LEGENDS JOINED TOGETHER FOR A LAID-BACK-RELAXED RECORDIN
Mr. Nightshift | Los Angeles, CA | 07/17/2009
(5 out of 5 stars)
"...And the solid sales didn't hurt either. Top Cuts: "Smile, Stacey", "Soft Pedal Blues", "Pia", and "Light Blue". A must have to add to your collection. These two Jazz Legends didn't record together again until several years later, which was kinda strange because Blue Note Records usually paired workable artist together again right away for a follow-up album...Not the case with these two? The Stereo on this album is awesome...We have Rudy Van Gelder to thank for that!
The only Bonus Track they (Blue Note) could unearth is an Alternate Take of "Light Blue"."