House Is Rockin' - Stevie Ray Vaughan, Bramhall, Doyle
Crossfire - Stevie Ray Vaughan, Carter, B.
Tightrope - Stevie Ray Vaughan, Bramhall, Doyle
Let Me Love You Baby - Stevie Ray Vaughan, Dixon, Willie [1]
Leave My Girl Alone - Stevie Ray Vaughan, Guy, Buddy
Travis Walk - Stevie Ray Vaughan, Vaughan, Stevie Ray
Wall of Denial - Stevie Ray Vaughan, Bramhall, Doyle
Scratch-N-Sniff - Stevie Ray Vaughan, Bramhall, Doyle
Love Me Darlin' - Stevie Ray Vaughan, Burnett, Chester
Riviera Paradise - Stevie Ray Vaughan, Vaughan, Stevie Ray
SRV Speaks [Live][#][*] - Stevie Ray Vaughan,
The House Is Rockin' [Live][#][*] - Stevie Ray Vaughan, Bramhall, Doyle
Let Me Love You Baby [Live][#][*] - Stevie Ray Vaughan, Dixon, Willie [1]
Texas Flood [Live][#][*] - Stevie Ray Vaughan, Davis, Larry [1]
Life Without You [Live][#][*] - Stevie Ray Vaughan, Vaughan, Stevie Ray
Stevie Ray Vaughan teetered on the brink of superstardom after the release of In Step, his best studio album. It was his first recording after he'd beaten his drug and alcohol addictions. Some songs, like "Tightrope" and "... more »Wall of Denial," reflect that struggle. Otherwise he blends full-tilt roots-rockers ("The House Is Rockin'") with deep blues (Howlin' Wolf's "Let Me Love You Baby" and the angry "Leave My Girl Alone"), flat-picking guitar pyrotechnics ("Travis Walk"), and one heart-achingly soulful instrumental (the closing "Riviera Paradise") that stands among the most elegant fusions of jazz and blues ever recorded. He'd also finally gained full control of his voice, taming his usual sore-throat bawl into an instrument rich in emotional character. Cut for cut, this is raw blues-rock perfection. --Ted Drozdowski« less
Stevie Ray Vaughan teetered on the brink of superstardom after the release of In Step, his best studio album. It was his first recording after he'd beaten his drug and alcohol addictions. Some songs, like "Tightrope" and "Wall of Denial," reflect that struggle. Otherwise he blends full-tilt roots-rockers ("The House Is Rockin'") with deep blues (Howlin' Wolf's "Let Me Love You Baby" and the angry "Leave My Girl Alone"), flat-picking guitar pyrotechnics ("Travis Walk"), and one heart-achingly soulful instrumental (the closing "Riviera Paradise") that stands among the most elegant fusions of jazz and blues ever recorded. He'd also finally gained full control of his voice, taming his usual sore-throat bawl into an instrument rich in emotional character. Cut for cut, this is raw blues-rock perfection. --Ted Drozdowski
"Walking through a "record" store years ago, I heard a kick-a$$ instrumental followed by an awesome blues tune. I just stood in the aisles and listened to the whole recording, then bought it and rushed home! One of his best, if not THE best. Sadly taken from us just as he was hitting his prime..."