"I was really drawn to Sylvia's vocal stylings on this CD, knowing how difficult it is to adapt from opera to popular music. Granted she seems a little stiff and a bit lacking in jazz swing on the brisker numbers such as "I Won't Dance", but she more than compensates for this minor flaw with her superlative renderings of the gorgeous ballads included here. "The Folks Who Live On the Hill" is probably my favorite cut. As a pianist, I was in awe of Andre Previn's accompanying genius. Every pianist who accompanies a singer should listen to this CD several times. I was a big Previn fan in the seventies, and it's great to here him in this intimate setting. Nice work by the bassist as well. I just hope that we will continue to see more McNair/Previn releases soon!"
McNair is amazingly versatile & Previn's arrangements superb
John Redfield | 08/03/1999
(5 out of 5 stars)
"McNair has an enticingly simple, witty, and clear-as-a-bell style on this recording. There are some wonderful songs you rarely hear. Previn's accompaniment and arranging is pure genius. McNair weightlessly floats to the higher notes, but unlike other operatic performers who have tried their hands at pop, she is able to leave out the operatic stylings that would otherwise distract. Very enjoyable."
Too Much Previn
Julien Sorel | Fort Lee, N>J> | 02/10/2008
(3 out of 5 stars)
"McNair has a magnificent, delicate voice. and her delivery is superb. She deserves a piano accompaniment that underlines her talent and, in short, plays second fiddle to her work. (I have in mind Barbara Cook backed up by Wally Harper. He's there but never gets in the way)
Unfortunately, McNair goes head-to-head with Previn, a fine pianist who should stick to Chopin. His piano work is at times so ornate and overworked he all but drowns out McNair. Worse, the sound mix is even, that is, piano and voice at equal recording levels. Do I listen to her or him? I prefer her."
The Next Step
asfnatic | Redmond, Oregon USA | 09/12/2002
(5 out of 5 stars)
"I fell in love with McNair's voice when I heard her sing in a recording of Orff's 'Carmina Burana'. Here is a soprano that could actually hit the REALLY high notes in 'Dulcissime' without sounding strained and forced. it encouraged me to pursue her other recordings. As a lover of early American theatre this CD was the logical choice. I LOVE IT. There are several songs I didn't know, but are some of my favorites now like "a fine romance" and "pick yourself up". She sounds like she is completely enjoying herself and the bass and piano do a fabulous job of supporting her instrument."
I love this album!
Catherine Hood | Tennessee USA | 02/02/2006
(5 out of 5 stars)
"I have been an Andre Previn fan as long as I have been playing the piano--he is an amazing talent. I have also been a Sylvia McNair fan for years. When my parents gave me this album, I was thrilled! (Now I'm a David Finck fan also!)
Sylvia has a beautiful voice, but singing for her is not about showing off her range, it's about the words and the mood, and so she sings with amazing feeling, whether she's singing Mozart or Kern. Andre Previn's piano is brilliant, as always, and this album is an inspiration for all of us who accompany other musicians. His style and talent come through while never overshadowing the words from Sylvia.
I now own several McNair recordings, but this is my favorite. Mozart, Handel, and their crowd are geniuses, of course, and McNair does a nice job on arias. I also enjoy "Come Rain or Come Shine-The Harold Arlen Songbook", but my favorite is this album. I wasn't so familiar with Jerome Kern's work until this CD, but I love the songs. I think that the songs selected for this CD were the perfect selection for Previn, Finck, and McNair. It all comes together in a really beautiful CD.
I highly recommend this CD, as well as "Come Rain or Come Shine."