If the Beatles' "Norwegian Wood" is one of the classic examples of raga rock (emphasis on rock), fusing the ancient Indian modal pattern of raga with western rock & roll, Susheela Raman's entire output on her remark... more »able debut Salt Rain can well be called raga blues, (emphasis on raga). Trained to sing classical Indian music from childhood, the Londoner by birth began experimenting with the vocal style of American blues in adolescence, finding in her early 20s a richly exotic multitextured sound. African rhythms, Asian-chordal dissonance, and a deep womanly voice make for an intoxicating listening experience. Add to this a band of players with origins from Romania to Greece, Spain, Kenya, and beyond. Rather than run together as an ineffective mishmash of multicultural styles, Raman and crew offer up a stunning circus of sound like a masala-Gypsy-klezmer band with one foot in the Delta. Familiar as the soaring voice of Joi, Raman is an intensely exciting new voice not in just world music, but in music as a whole. Salt Rain is both bountiful and devastatingly beautiful. --Paige La Grone« less
If the Beatles' "Norwegian Wood" is one of the classic examples of raga rock (emphasis on rock), fusing the ancient Indian modal pattern of raga with western rock & roll, Susheela Raman's entire output on her remarkable debut Salt Rain can well be called raga blues, (emphasis on raga). Trained to sing classical Indian music from childhood, the Londoner by birth began experimenting with the vocal style of American blues in adolescence, finding in her early 20s a richly exotic multitextured sound. African rhythms, Asian-chordal dissonance, and a deep womanly voice make for an intoxicating listening experience. Add to this a band of players with origins from Romania to Greece, Spain, Kenya, and beyond. Rather than run together as an ineffective mishmash of multicultural styles, Raman and crew offer up a stunning circus of sound like a masala-Gypsy-klezmer band with one foot in the Delta. Familiar as the soaring voice of Joi, Raman is an intensely exciting new voice not in just world music, but in music as a whole. Salt Rain is both bountiful and devastatingly beautiful. --Paige La Grone
"This album, the debut of Joi's Susheela Raman, was recently nominated for the Mercury Award 2001, Britain's foremost reward to new artists with distinct creative ability. She was beaten by PJ Harvey's new set, but nevertheless, it brought to the attention of Europe the talents of a brilliant new songstress.'Salt Rain' is by far one of the best fusion albums I have heard. I always thought that only Kila and Afro Celt Sound System knew how to make a good record, and when I first heard of Joi through Real World, I was a little skeptical. On those early records, Susheela stands out, but no one could predict that a solo career would bring so much promise to the world of new age music.That said, Susheela's work here should be compared to Auroville's Nadaka, as well as M. S. Subbalakshmi, and Dead Can Dance. While she no doubt uses these influences in her vocal style and song structure, she is very much an independent and original artist. I thoroughly enjoyed this album. The first time I really listened to it was on headphones, which I thought was the proper method to appreciate a work of this sort.Strangely enough, Susheela's more interesting moments come when she thoroughly bungles up the lyrical content of a song. You must remember that this album is a celebration of the singer as an Indian. The tracks are sung in Tamil, Telugu, Hindi and Sanskrit. The ones in Sanskrit work best, but the Tamil tracks are inexplicable. While her diction is less than flattering on these tracks, it does lend the songs a certain listenability - more so because all the words are phonetically reproduced in English in the liner notes. I think Susheela lost out on the Mercury because the album is far too experimental for the common listener. PJ Harvey, who I think is the poor-man's Fiona Apple, had a great record last year, but its nothing as groundbreaking and revolutionary as 'Salt Rain'. There are a few songs here in English, but to be honest, they are the least compelling of the set. Susheela scores best when shes singing in Indian languages.Of all the tracks, I personally connected with 'Mamavatu'. This song reminded me of attending a Hindu temple in Thanjavur, South India, when I was a child over ten years ago. I haven't heard a song so deeply capture the beauty and spirit of Southern India the way this song does. The last time I heard something like this was on 'Nama Shivaya' by Nadaka, but you can only get that one on the limited French Edition of 'Origines'.Susheela's record label has done us a huge service by releasing this album with all the respect a record of this magnitude deserves. All the musicians are given a page with their picture, and Susheela herself appears very briefly on the painted page. The album booklet is thorough, informative, and a classy production. Lisa Gerrard would do well to learn from Raman's mastery of putting together a debut album package.Unfortunately, this record is not being heard of in America. In France, its a consistent top seller, and its always near the top of the British new age charts. Pity, because the US always misses out on the best musicians (Vanessa Paradis, Axelle Red, The Sealand Poets, All Saints) in favor of lesser, more vapid talent (Spears, Aguilera, Timberlake). Also, with the new success of Afro Celt Sound System in America, one would think that Raman would leap up the charts as well. Well, she deserves to. If theres one new age or classical album you intend purchasing this year, let it be this one.Highly recommended."
Velvet
Akanani | Lynn, MA United States | 10/22/2002
(5 out of 5 stars)
"Susheela Raman blends Western blues, Eastern chanting, and a little soul-searching into this uplifting work of art. Salt Rain will soothe you like a long lazy Saturday morning. Expect to be surprised, haunted, enchanted, and addicted!"
Absolutely amazing
Jordan Lane | USA | 08/14/2001
(5 out of 5 stars)
"This is absolutely the most amazing cd. Susheela Raman's voice is like honey- smooth, sweet, rich, and sticks with you. She is easily as much a jazz vocalist as a world musician. If you are a world music fan or a jazz fan, you absolutely MUST BUY this cd. Even if you are not usually a fan of world music, this cd will change that. It is at the same time incredibly sensual and spiritually soothing, but never, ever will it put you to sleep! Allow yourself only one listen and you will fall under its spell."
Supreme Ensemble
deplanet | RED ROCK, N.S.W. Australia | 10/30/2002
(5 out of 5 stars)
"If youre looking for some of the smoothest music you could listen to .This is it.Soulful,beautifully constructed songs backed by superb musicians from all points of the globe all gel together for some rare quality listening.Put this on top of your buy list.Personally I'm just hanging out for for her next release.Oh, and don't worry about not understanding most of the lyrics because it simply doesn't matter.Her voice just carries it off."
Very strong debut
m_noland | Washington, DC United States | 11/24/2001
(4 out of 5 stars)
"Former Joi singer Susheela Raman's debut outing was short-listed for the Mercury Prize in the UK. It is an interesting an enjoyable album - but be forewarned it is much closer to Sheila Chandra than Joi. Raman's is an exceptionally rich voice. Instrumental backing mostly low-key and acousticky (guitar, cello, bass, and percussion with clarinets, electric pianos, trap drums, and snoring (?!) occasionally joining the mix). Opening cut "Ganapati," which includes trap drums and guitarist Sam Mills steps out a bit more than elsewhere on the record, sounds a bit like the Abercrombie-Holland-DeJohnette Gateway trio meets South Asia. Indeed, the traditional Indian songs tend to work better than the originals in part because they have stronger melodies and in part because I can't understand the lyrics so the vocals just sort of wash over me. Indian lyrics translated into English in the CD booklet if you're really interested. Really to bad that this disk hasn't received more attention in the US - certainly deserves more."