Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Jonathan's night ride. Four co - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Jonathan's Night Ride. Chorus.
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Jonathan's Night Ride. What ar
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Jonathan's Night Ride. What's
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Jonathan's Night Ride. We're h
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Jonathan's Night Ride. Chorus
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Chorus. Count Dracula's Czarda
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Count Dracula's Czardas. And I - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Count Dracula's Czardas. Choru - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Then something happened at Whi - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Ghost Ship. Just off the coast - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Ghost Ship. Chorus. Ghost ship - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Ghost Ship. Down in the hold's - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Ghost Ship. Chorus - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Ghost Ship. What was that dog - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Ghost Ship. Chorus - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Ghost Ship. Now all the chests - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Ghost Ship. Chorus - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: The professor's patter song. P - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: The professor's patter song. C - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: The professor's patter song. I - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: The professor's patter song. I - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: The professor's patter song. A - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: The professor's patter song. C - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano & optional instruments, Op. 87: Renfield's Dining Room Ballad. - Blyton, Carey [193
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Dracula! or The Vampire Vanquished, for narrator, unison voices, piano
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Curtain Up
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: The time is the early 1840s
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: I'm Sweeney Todd, the barber. I'm Sweeney
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: I'm Sweeney Todd, the barber. Chorus. Cut
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: I'm Sweeney Todd, the barber. My partner,
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: I'm Sweeney Todd, the barber. Chorus
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: I'm Sweeney Todd, the barber. We have a n
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: I'm Sweeney Todd, the barber. Chorus
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Here comes Tobias Ragg
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Today I start my working life. Chorus. Fa
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Today I start my working life. Chorus
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Today I start my working life. Chorus
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Sweeney Todd's evil days are numbered
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Oh, I'm a jolly sailor. Oh, I'm a jolly s
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Oh, I'm a jolly sailor. Her name, it is J
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Oh, I'm a jolly sailor. I'll ask you, Mis
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Mark, Mark, where are you now?. Come, com
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Mark, Mark, where are you now? News, news
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: You're in my power. You're in my power!
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: You're in my power. Well may you cower!
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: You're in my power. Just like 'The Tower'
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: You're in my power. A lovers' bower!
Sweeney Todd the Barber, for narrator, unison voices, piano & optional
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: A happy ending to our tale. The lovers ar
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: A happy ending to our tale. A happy endin
Sweeney Todd the Barber, for narrator, unison voices, piano & optional instruments, Op. 79: Coda 'Envoi'
These two "Victorian melodramas" by Carey Blyton (1932-2002), nephew of the children?s writer Enid Blyton, were commissioned for children by the BBC. Both are written for narrator, unison voices, piano, and optional additi... more »onal instruments, and are suitable for either school or professional performance. Carey Blyton earned three degrees in music from Trinity College, where he later taught composition. He also pioneered the first academic courses in composing for film, radio and television at the Guildhall School of Music and Drama (1972-1983). For several years he served as Benjamin Britten?s personal editor, and also edited many works by Gustav Holst. He has written several books for children, of which Bananas in Pyjamas is an English classic.« less
These two "Victorian melodramas" by Carey Blyton (1932-2002), nephew of the children?s writer Enid Blyton, were commissioned for children by the BBC. Both are written for narrator, unison voices, piano, and optional additional instruments, and are suitable for either school or professional performance. Carey Blyton earned three degrees in music from Trinity College, where he later taught composition. He also pioneered the first academic courses in composing for film, radio and television at the Guildhall School of Music and Drama (1972-1983). For several years he served as Benjamin Britten?s personal editor, and also edited many works by Gustav Holst. He has written several books for children, of which Bananas in Pyjamas is an English classic.