"I bought this recording mostly for a recording of Symphony #5, but the sound quality is absolutely terrible. Although it says the cd has a 2000 copyright, the recordings are from 1953 and 1956, and the "digital remastering" is non-existent. Definitely buy another recording."
History in the Making
08/24/2002
(5 out of 5 stars)
"If you are looking for your VERY FIRST hearing of these two (arguably the most famous) Shostakovich symphonies, don't expect to be wowed by the sound quality! These historic recordings are a MUST HAVE for any Shostakovich "collector," as these conductors were at the cutting edge of musical activity during Shostakovich's life. They were in close contact with the composer and are best known for thrilling performances of these and other works during their lives. If this is the ONLY recording you plan to own of these works -- ever -- Go ahead, find a great d-i-g-i-t-a-l performance that will bring out the best in your sound system. These works can certainly do that for you, I might add. However, for historical value (AND for the thrill of hearing two great performances), both of these are a treasure!"
Excellent First Symphony
D. Parrett | 03/02/2008
(5 out of 5 stars)
"Before I heard this recording of the Shostakovich 1st Symphony I didn't like his music at all. This recording is harsh but very intriguing. As others have noted, the sound quality is not great but I think that adds something rather than being a detriment. Kondrashin's recording captures lightning, especially the last few seconds of the Symphony. It makes my hair stand on end every time I hear it, unlike the beautiful recording by Ormandy. If you are undecided, go ahead and listen to this recording of the 1st as a counterpoint to Ormandy's recording."
Poor recording doing a diservice to great performances.
Philippe RENAUD | Miami, FL United States | 01/10/2003
(3 out of 5 stars)
"I expected a great deal from a recording of the DDS 5th conducted by MRAVINSKY. The latter, after all, premiered the work in Leningrad (holding up DDS' score to triumphant audience applause). The powerful characteristic MRAVINSKY drive is definitely present in this recording. One, however, needs to strain his or her ear to make out the finer details of MRAVINSKY's performance, which is a great pity. I look forward to listening to the newer MRAVINSKY recording of this great piece on the ERATO label (feedback anyone? Please write to phrrenaud@aol.com)."