I'm Confessin' (That I Love You) - Teddy Wilson, Daugherty, Doc
The Sheik of Araby - Teddy Wilson, Smith, Harry [2] Be
I Surrender, Dear - Teddy Wilson, Barris, Harry
Bugle Call Rag - Teddy Wilson, Meyers, Billy
Ev'ry Time We Say Goodbye - Teddy Wilson, Porter, Cole
Dinah - Teddy Wilson, Akst, Harry
How High the Moon - Teddy Wilson, Hamilton, Nancy
Memories of You - Teddy Wilson, Blake, Eubie
Stompin' at the Savoy - Teddy Wilson, Goodman, Benny
Blues Too - Teddy Wilson, Wilson, Teddy [1]
Time After Time - Teddy Wilson, Cahn, Sammy
Moon-Faced, Starry-Eyed [From Street Scene] - Teddy Wilson, Hughes, Langston
After You've Gone - Teddy Wilson, Creamer, Henry
Just for You Blues - Teddy Wilson, Wilson, Teddy [1]
I Want to Be Happy - Teddy Wilson, Caesar, Irving
As Time Goes By - Teddy Wilson, Hupfeld, Herman
Whispering - Teddy Wilson, Coburn, Richard H.
It is difficult to sit still while listening to this record. Fast numbers that dance and stomp alternate with ballads that sway and dream, and there is an irresistible swing to all of the songs. The program includes famili... more »ar show tunes, film tunes, and other favorites, and the groups range from trio to octet. In these stellar lineups, everybody is a virtuoso and a masterful, inspired improviser; the playing is terrific. Trumpets emulate the human voice, saxophones growl, and the interplay is brilliant. In the title song, arranged for octet, the players alternate in short solos with quick, snappy takeovers, resulting in an exhilarating chase. Singers Maxine Sullivan, Sarah Vaughan, and Kay Penton are splendid and entirely different in style. And Teddy Wilson, the only one who participates in every piece, is fabulous. Combining a soloist's flair with the sensitivity and empathy of a chamber musician, he provides a strong foundation without dominating the groups. The singing quality of his tone, the delicacy and refinement of his style, are unique. --Edith Eisler« less
It is difficult to sit still while listening to this record. Fast numbers that dance and stomp alternate with ballads that sway and dream, and there is an irresistible swing to all of the songs. The program includes familiar show tunes, film tunes, and other favorites, and the groups range from trio to octet. In these stellar lineups, everybody is a virtuoso and a masterful, inspired improviser; the playing is terrific. Trumpets emulate the human voice, saxophones growl, and the interplay is brilliant. In the title song, arranged for octet, the players alternate in short solos with quick, snappy takeovers, resulting in an exhilarating chase. Singers Maxine Sullivan, Sarah Vaughan, and Kay Penton are splendid and entirely different in style. And Teddy Wilson, the only one who participates in every piece, is fabulous. Combining a soloist's flair with the sensitivity and empathy of a chamber musician, he provides a strong foundation without dominating the groups. The singing quality of his tone, the delicacy and refinement of his style, are unique. --Edith Eisler