Search - Joe Gallant, Illumanti :: Terrapin

Terrapin
Joe Gallant, Illumanti
Terrapin
Genres: Alternative Rock, Jazz, Pop, Rock
 
  •  Track Listings (15) - Disc #1

1999 outing, a must for Deadheads everywhere as it's a rearranging of the Grateful Dead's studio apex album from 1977, 'Terrapin Station'. An astounding reworking of the original record that blends jazz, jam rock, gospel n...  more »

     
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CD Details

All Artists: Joe Gallant, Illumanti
Title: Terrapin
Members Wishing: 0
Total Copies: 0
Label: Which Records
Release Date: 10/26/1999
Genres: Alternative Rock, Jazz, Pop, Rock
Styles: Swing Jazz, Progressive, Progressive Rock
Number of Discs: 1
SwapaCD Credits: 1
UPC: 616892565628

Synopsis

Album Description
1999 outing, a must for Deadheads everywhere as it's a rearranging of the Grateful Dead's studio apex album from 1977, 'Terrapin Station'. An astounding reworking of the original record that blends jazz, jam rock, gospel noir, big band swagger, timeless vocals & searing electronics together, this is the second time Gallant has been commissioned by the Dead's Phil Lesh to rework one of their albums, having turned their 1975 outing 'Blues For Allah' into a contemporary masterpiece in 1996. 15 tracks.

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CD Reviews

"Terrapin" collapses in on itself
The Delite Rancher | Phoenix, Arizona | 08/01/2006
(3 out of 5 stars)

"Joe Gallant's "Terrapin" is a jazz interpretation of the Grateful Dead's "Terrapin Station" (1977). This remake has two issues. First, the album is too processed and overly cluttered. "Terrapin" sounds like Gallant was too ambitious and wanted this project to be all things at once. For example, the techno sounding big beats and digital weirdness contribute nothing. Had Gallant stripped this down into something simpler, it would have been more compelling. Second, while the style of jazz here ranges from Swing to Dixieland, the primary vehicle is Avant-garde. Avant-garde never met the success of other jazz forms because it's intentionally inaccessible. Likewise, much of this music is 'rough on the ears' as the arrangements get lost in mazes of cacophony. Avant-garde aside, "Terrapin" features many musical passages of beauty. The swingin' 'Estimated Prophet' is a highlight along with some remarkable moments in the Terrapin Station Suite. Furthermore, Joe Gallant and his group get high points for integrity and effort. The exertion behind "Terrapin" must have been epic given the ambitious and extremely complex result. Indeed, this project employed a symphony orchestra, full brass section, rock band, assortment of ethnic instruments and a digital arsenal. If the listener is looking for a great jazz interpretation of the Dead or Gallant's best work, go with the "Blues for Allah Project." "Terrapin" has some highlights but it is so large that it ultimately collapses in on itself."
Stunning interpretations of Dead songs
peacetoy | Oxford, Oxfordshire Great Britain | 07/05/2000
(5 out of 5 stars)

"This album is pretty mind-blowing in both its soul and eclecticism. There's touches of big band, jazz, blues, gospel, bluegrass, psychedelia, soul, modern classical....and it all, amazingly, hangs together. The soulfulness of the Dead's music is really brought out- check out the frenetic Dancin in the Streets and the Donna Godchaux song Sunrise, re-invented as a sort of cross-pollination of Peggy Lee and Ute Lemper! While I enjoy Jazz is Dead, this album is on another level entirely."
Non essential
echayt | FL | 06/23/2000
(3 out of 5 stars)

"First of all, this is a CD for Grateful Dead fans. If you're a fan of the Grateful Dead, you may absolutely love this CD. Alternately, you may vehemently hate it. I'm kinda dancing on the line between love and hate. Let me explain: This CD is Joe Gallant and some huge jazz orchestra performing all the songs from the dead's Terrapin Station album in vastly different styles than the original. Sometimes, it sounds great and energetic, with all the instruments getting their improvisory space as in "Dancin' in the Streets' and "Estimated Prophet'(The best moment of the CD is when the latter (sung by Ike Willis) rises from the ashes of the former in a cool segue.) Other times, the need to fill the John Zorn style of quick style shifts makes the actual "Suite", for instance, sound too trying-to-be-experimental , it just sounds stupid, especially with too much pseudo DJ blah blah blah. I listen to the first "side" a lot, but the actual Terrapin Suite is too much to listen to all the way through. On the whole, I give it a 3 for attempting to expand listeners' consciousnesses. If you want to find a really amazing experimental-popular hero who is also into the dead, look up Henry Kaiser."