CD Details
Synopsis
Album DescriptionE1 Music is delighted to announce the release of Letters from Lincoln, the world-premiere recording of a work by composer Michael Daugherty featuring the world-renowned baritone Thomas Hampson and the Spokane Symphony under the direction of music director Eckart Preu. Letters from Lincoln for baritone and orchestra is scheduled for release in January of 2010. This new work was commissioned by the Spokane Symphony in celebration of the 200th anniversary of Abraham Lincoln's birth (1809-1865), and premiered on February 28, 2009. Also included on the record are two lyric early works by Anton von Webern, Im Sommerwind and Langsamer Satz. Michael Daugherty is one of the most commissioned, performed and recorded composers on the American concert music scene today. With compositions rich with cultural and political allusions and bearing the stamp of classic modernism, his melodies are eloquent and stirring. As someone who has composed works focused on pop culture (Superman, UFOs, Liberace), he was the perfect choice to explore Lincoln the man and not just Lincoln the icon. And he has written music about other political figures: J. Edgar Hoover, Rosa Parks, and Jackie Kennedy Onassis. Says Daugherty: "In Letters from Lincoln, I create a musical portrait of a man who expressed his vision with eloquence, and with hope that the human spirit could overcome prejudice and differences of opinion in order to create a better world. I discovered ways to bring his historic greatness into the present." Says Eckart Preu: "Symphony audiences know Lincoln from Aaron Copland's `Lincoln Portrait." That's Lincoln the statue ..., Lincoln the monumental figure. For this commission, we wanted to take Lincoln down from that pedestal and show him on a more human scale, someone we could recognize as flesh and blood. Spokane native Thomas Hampson complimented Daugherty's "lyricism, which just jumps out of his music." Moreover, by having chosen to set texts taken from throught Lincoln's life, Daugherty has created a contrast, Hampson says, "between the chatty stuff and the big, lyrical stuff." Daugherty has been hailed by The Times (London) as "a master icon maker" with a "maverick imagination, fearless structural sense and meticulous ear." He first came to international attention when the Baltimore Symphony Orchestra, conducted by David Zinman, performed his Metropolis Symphony at Carnegie Hall in 1994 and the Houston Grand Opera premiered his opera Jackie O in 1996. Since that time, his music has entered the orchestral, band, opera and chamber music repertory and made him, according to the League of American Orchestras, one of the ten most performed living American composers. Historians and the general public generally regard Lincoln as America's greatest president who successfully led the United States through the Civil War and initiated the end of slavery. His life, which was full of spectacular opposites, ironies, contradictions and pathos, provided Daugherty with abundance of musical dramatic possibilities. Lincoln's impassioned writings, from his youth as poor boy in the backwoods of Kentucky to his tragic death as President of the United States, have moved Daugherty to take Lincoln's own words, both public and private, and set them to a song. In Letters from Lincoln, Michael Daugherty creates a musical portrait of a man who expressed his vision with eloquence, and with hope that the human spirit could overcome prejudice and differences of opinion in order to create a better world.
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CD Reviews
" Letters from Lincoln" J. K. Jordan | USA | 03/09/2010 (5 out of 5 stars) "" Letters from Lincoln" by Michael Daugherty
Michael Daugherty has an impressive original recording dedicated to the historical greatness of Abraham Lincoln, with orchestra and baritone Thomas Hampson. A challenging interpretation of Lincoln's own words. Heart rendering events bear irresistible testimony of the esteem and respect all maintained for him and his loss which no time can efface.
In the opening movement " Lincoln's Funeral Train " it refects the end of an era in interpretive depth evolving into the next movement " Autobiography " with the beginning of an era, and narrative description of Lincoln.
" Abraham Lincoln is My Name " is colorfully textured with dancing juxtaposing fiddle music, evoking strength and determination.
" The Mystic Chords of Memory ", is lyrically dramatically haunting in this movement with impressions of memories coming to light.
" Letter to Mrs Bixby " resonates with compassion that spreads to harsh realities and possibilities of finding grace.
" Mrs Lincoln's Music Box " is mirrored with bugle calls and undertones of moderistic surrealism feelings of her anxiety, clothed in unfounded fears.
" Gettysburg Address " opens with musical scores of tranquil velvety depth. Thomas Hampson's virtuosity in his voice conveys Lincoln's passion and mornful introspection inspired by Lincoln's own sense of loss, private and public. Orchestrated colorings luxuriate and reflects Lincoln's inner conflict. This movement is complex with musical arcs and exquisite undertones of distillations, and illuminates passion. We hear Lincoln's references to the Declaration of Independence sung in melodic flow, and Lincoln's desires to bring divided people together in a time of crisis and danger, and that sacrifices made, preserve the country's freedom. Daugherty's music expresses the strangeness and the grandeur of Lincoln's visionaries.
The last two pieces Langsamer Satz, and Im Sommerwind, by Anton von Webern/Arr.Schwarz seem appropriately reflective for the previous movements on this CD, a lucid closure.
K Jordan"
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