Japanese Release featuring Exclusive Bonus Tracks.
CD Reviews
Exquisite four-and-half star Ambience
Kim Porter | Australia | 02/21/2005
(5 out of 5 stars)
"Where their debut had been a mixed and largely unstructured collection of leftfield soundscapes, followed by Millions Now Living's surprising love-letter to Krautrock, the third Tortoise release, the all instrumental TNT, was almost a lounge album - but lounge for thinkers. You certainly couldn't call this a rock album, any more than you could call it techno, acoustic, ambient or jazz, but Tortoise take all of those styles and more, building fabulously fat beds of bottom end, overlaid with gorgeous multi-layered guitars, vibes and sampled found sounds, and emerge with one of the last decade's most endlessly satisfying releases.
With it's frantic, sampled drum pattern, `Jetty' could almost be trip-hop, (in fact trip-hop is the lasting after-image of the album), `Swung From The Gutters' has a vague jazz structure to it, at the same time throwing in backward tape effects, `I Set My Face To The Hillside' combines - almost unbelievably - both Spaghetti Western and oriental themes¼ and so it goes, constantly bewildering, constantly enchanting. And then there's the divine beauty of the title track... (sigh)
And it gets better with every listen.
Kim Porter
Forté Magazine, Australia
"
A near oxymoron: Ambient-Rock
drumb | milwaukee, wi United States | 04/23/2003
(5 out of 5 stars)
"Tortoise's third album, TNT, is a step forward from their previous outings in the most literal sense. One of the premiere innovators of Chicago's burgeoning post-rock community, Tortoise continues to push the technological boundaries of the genre by incorporating a host of obscure electronic instruments in addition to a traditional rock lineup. Elongating their Pink Floydian drones and expanding upon their vision of Sonic Youth turned krautrock, Tortoise mutates their improvisational, instrumental noodlings into fully fleshed out, captivating soundscapes akin to Can or Kraftwerk. This dominance of ambience over edginess on TNT is really the key to its success. By removing the band's choppy rhythms and more obvious rock leanings once and for all, TNT is a point of evolution for Tortoise which brings them beyond the realm of experimental rock in order to arrive at a plateau that is far more indebted to the worlds of film music and progressive rock. Because of this, TNT is perhaps more of a background album than past Tortoise ventures, a listen which relies far more on a consistent vibe than individual songs, but despite the pointed lack of hooks or seeming inaccessibility of the CD, TNT reveals itself to be an album which operates on many levels. An entrancing experience if listened to with rapt attention with eyes closed or if simply played over the car stereo while cruising down the highway, TNT is ambient music that vastly exceeds the constraints of background noise. In a sense, TNT is the evolution of rock into realms often thought to be out of the genre's grasp as much as it is a grounding of heady ambient ideals, that actually expose a surprising number of more straightforward influences. TNT is background music for the classic rock fan and rock music for the ambient connoisseur, because while it is often associated with the vague category of "post-rock," TNT is a far more diverse collage than its nametag implies."
Tortoise reaches a new plateau
Langdon Alger | West Alexander, PA United States | 03/19/2003
(5 out of 5 stars)
"The members of Tortoise spent longer composing this album than they had for the previous two and it seems to have paid off. Earlier albums work very well as sonic experimentation, but the songs sometimes drifted into the realm of the monotonous. On this album, the songwriting has gotten tighter, the electronics integrate better, the jazz aspect has become more apparent. This really seems to have become a realization of the promise of the earlier albums. There exists a real appreciation for musical ideas that isn't found on most other "rock" albums, and this album rocks a lot more than most "jazz" albums. Tortoise draws from many rather obscure musical traditions, but they don't just borrow their sound from their predecessors, they make the sound their own; this isn't borrowing, it's grand theft. Actually, I'd give this album 4 1/2 stars, as one or two songs at the end tend to run on without justification (for me, at least). But, I'm giving it five stars 'cause this is definitely worthy of more than four.Standout tracks: TNT, Swung From The Gutters, Equator, and Suspension Bridge at Iguazu Falls"
Possibly the greatest instrumental album ever.
Jake Mohan | Chicago, United States | 05/23/2000
(5 out of 5 stars)
"The third full-length demonstration of Tortoise's brilliant musical evolution, this disc has me a little worried that they'll be unable to ever record a worthy follow-up. This album can rightfully be called a masterpiece, and is best received in one contemplative listen from start to finish. John McIntire is not only an accomplished drummer, but also a stunning producer and multi-instrumentalist who weaves a cohesive album from seemingly disparate elements. There's brilliant avant-jazz in "Swung From The Gutters"; check out the enigmatic but gorgeous spaghetti-western strains of "I Set My Face To The Hillside". You'll hear amazingly organic electronica in "Jetty", "The Equator" and the epic "In Sarah, Mencken, Christ & Beethoven There Were Women & Men", and hypnotic ambient in "Four Day Interval" and "Ten Day Interval". Chicago jazz VIP Jeff Parker stands out with beautiful guitar work on tracks such as "TNT", "Jetty", and (my favorite) "The Suspension Bridge At Iguazu Falls". By the time the last shimmering notes of "Everglade" signal the close of this lush album, you'll take a deep breath and press play again. P.S. You may think that studio trickery and electronic sequencing are responsible for the many sonically revolutionary moments on this album - until you have the priveledge of hearing this virtuosic collective play live and pull it off perfectly."
Tortoise makes a good album that has a clear effect
Jake Mohan | 02/15/2002
(5 out of 5 stars)
"This band is known for their 'post rock' sound which is basically a mix many different genre's in a strange pot. They are most widely loved for their electronic sound tampering workouts. On this album that element of their sound is definitely present,but what's also present is a very atmospheric use of the vibraphone and a brass band. On their first album, they had a sound that was pretty slow and rootsy and on 'Millions Now Living will never die' they still had that, but also had a stronger electronic current running through it, a DJ feel. On 'TNT' there are some tracks that don't even feel electric, some that feel totally electric and some that are an interesting combination of both. What's interesting is the clear electic intent of the band. If you start on track three, you'll hear an atmospheric vibraphone track and on the very next song you'll hear a song that wouldn't seem out of place in a spaghetti western movie and then if you listen to the next song it songs like a futuristic electronic tune. To me Tortoise's music has always been about two things:
1) Creating a general mood & 2) Messing around with the sound. Like I said, this album is atmospheric and creates a mood on all of the ways that Tortoise can but, they are more concerned with slowly changing landscapes on this album. So if you're looking for more DJ work, then get 'Millions Now living...' if you're looking for slower and rootsier sounding stuff go for their self titled album and if you're looking for predominant avant garde, electronic excursion, then go for their latest 'Standards.' 'TNT' is for the eclectic and moody taste."