Cold Blood was originally signed in 1969 by Bill Graham to his own label and went on to record six albums before disbanding in the late 1970s. The band was revived in the late 1980s and the current lineup started to coales... more »ce in the mid-90s under the direction of guitarist Steve Dunne, which culminated in a triumphant return to the Fillmore in 1998. In 2001, DIG Music released Vintage Blood: Live! 1973, a previously unreleased powerhouse collection of songs including their signature version of You Got Me Hummin, recorded in an intimate studio setting before a live audience.At the same time, former Cold Blood member Skip Mesquite, who had a number of songs hed written and thought would be well- suited for Lydia, came in contact with DIG Music. Armed with these great new songs, a continually improving band, an excited indie label, and with Lydia singing better than ever, the elements were aligned for making a new Cold Blood album a reality.Transfusion is Cold Bloods first studio album on DIG Music, showcasing more of the bands horn-driven rock and soul- drenched sound, and demonstrating that Lydia Penses vocal chops have lost none of their power or feeling. Joining her in the band are former Starship/Elvin Bishop drummer Donny Baldwin, Steve Dunne on guitar, Rob Zuckerman on sax, Rich Armstrong on trumpet, Evan Palmerston on bass, Mike Morgan on percussion and Steve Salinas on keyboards. The new album was produced by Steve Dunne and Skip Mesquite and recorded at Sy Klopps Studio in San Francisco.Special guests on Transfusion include Michelle Shocked, who joins Lydia for a vocal duet on Down To The Bone, and Lenny Williams, who sings with Lydia on It Could Be Me, It Must Be You. Other friends include keyboardist Roger Smith, drummer David Garibaldi and guitarist Jeff Tamelier of Tower of Power, sax player Skip Mesquite, ex-Tower of Power trumpet player Mic Gillette and original Cold Blood keyboard player Raul Matute.« less
Cold Blood was originally signed in 1969 by Bill Graham to his own label and went on to record six albums before disbanding in the late 1970s. The band was revived in the late 1980s and the current lineup started to coalesce in the mid-90s under the direction of guitarist Steve Dunne, which culminated in a triumphant return to the Fillmore in 1998. In 2001, DIG Music released Vintage Blood: Live! 1973, a previously unreleased powerhouse collection of songs including their signature version of You Got Me Hummin, recorded in an intimate studio setting before a live audience.At the same time, former Cold Blood member Skip Mesquite, who had a number of songs hed written and thought would be well- suited for Lydia, came in contact with DIG Music. Armed with these great new songs, a continually improving band, an excited indie label, and with Lydia singing better than ever, the elements were aligned for making a new Cold Blood album a reality.Transfusion is Cold Bloods first studio album on DIG Music, showcasing more of the bands horn-driven rock and soul- drenched sound, and demonstrating that Lydia Penses vocal chops have lost none of their power or feeling. Joining her in the band are former Starship/Elvin Bishop drummer Donny Baldwin, Steve Dunne on guitar, Rob Zuckerman on sax, Rich Armstrong on trumpet, Evan Palmerston on bass, Mike Morgan on percussion and Steve Salinas on keyboards. The new album was produced by Steve Dunne and Skip Mesquite and recorded at Sy Klopps Studio in San Francisco.Special guests on Transfusion include Michelle Shocked, who joins Lydia for a vocal duet on Down To The Bone, and Lenny Williams, who sings with Lydia on It Could Be Me, It Must Be You. Other friends include keyboardist Roger Smith, drummer David Garibaldi and guitarist Jeff Tamelier of Tower of Power, sax player Skip Mesquite, ex-Tower of Power trumpet player Mic Gillette and original Cold Blood keyboard player Raul Matute.
"I have had this CD on my car stereo for a solid week. I have yet to hit the eject button. Each song reveals itself in more detail with each listening. Lydia's soulful voice is as strong and vibrant as it ever was, only it's more mature, more seasoned (she was, after all, introduced to Bill Graham by Janis Joplin). Steve Dunne's guitar tightens an already taut rhythm section and his solos have a bite in the tradition of CB's sound. And the horns, oh the horns! This may be where my bias for all that blaring brass causes me to lose some objectivity. The trumpet really stands out, as it should when you have the young local sensation Rich Armstrong in the band and guests Mic Gillette (TOP) and Dennis Cruzan. Suffice it to say that Cold Blood was once the pride of a local sound and they continue to excel in the same. Coming up with 10 new songs that are true to their tradition is a remarkable accomplishment (they do recycle their "Down To the Bone" with Michelle Shocked joining Lydia). Most are most penned by guest saxophonist and co-producer Skip Mesquite (of TOP's East Bay Grease and Bump City glory and once of CB). Other TOP alumni guests include Lenny Williams, David Garibaldi (drums), Roger Smith (Hammond B3 & keys) and Jeff Tamelier (guitar). It's like a Who's Who of the rock-soul-funk sound, so it's no wonder the music does not disappoint. I will be able to better judge this Transfusion more fully after next Saturday's Fillmore show and I can't wait!"
The Queen Hath Returned
Gregory Alonzo | Santa Barbara, USA | 01/24/2006
(5 out of 5 stars)
"Wow! I can't believe how great Lydia sounds after all these years. Her soulful voice is as powerful and full of feeling as ever. She is the best blue-eyed soul singer that has ever graced the stage. As for the new recording...tremendous! This is the album that Cold Blood wanted to do but were never given the go ahead. It's a big rock-soul sound with a funky edge. Pehaps this is the one that will give this great band the notice that they truly deserve."
Oh Lydia, oh Lydia, you soul-rockin' encylopedia
Mark Ruffin | Oak Park, Il. USA | 04/27/2006
(5 out of 5 stars)
"I was in Portland Oregon in mid-April and was stunned to find out I just missed a performance by Cold Blood and almost fainted when I found out there was a new record. I always thought of Lydia Pense as one of the all-time underrated singers and frankly that CB was better than their original label mates, Tower of Power. "Transfusion" only confirm all those thoughts. This is without question, the most consistently satisfying CB record since "Thriller," (by the way you should take advantage of Amazon's double offer to buy "Thriller" with "Transfusion.") It is truly amazing that Lydia's voice has aged as soulful and funky as it has. As usual, the band is thistight and the guitar solos have an edge that cuts hard right through those powerful horns. There's not a weak track on this disc and the duets with former TOP frontman Lenny Williams and Michelle Shocked (on the CB classic "Down To The Bone, no less) are sublime. I remember as a young man trying to turn all my friends in my hometown of Chicago to Cold Blood. The process starts again. Thank you Lydia."
30 years was worth the wait!
east coast admirer | 10/09/2005
(5 out of 5 stars)
"Waiting 30 years to hear another Lydia Pense recording was too long. Why the wait? Lydia has not lost a thing since those rich early days. One of the best blue eyed soul singers of her generation should not be such a well kept secret. Its a true testament to her talent that such a collection of well respected musicians are featured on this CD. I can only hope distribution and air time can follow so more people can finally discover the talent that many inside the music business have known all along."
STILL LIKE "FIRST TASTE"
Joseph W. Szilagy | Mississauga, Canada | 12/09/2008
(5 out of 5 stars)
"Like "First Taste of Sin", that is, my favourite Cold Blood album.
I read a review saying that Lydia's voice had lost "soul". Huh?! Anyway, if anything, it's taken on a cool, smooth character like single malt whisky, compared to "blended".
The coolest thing of all is that the band retains it's original soul/funk sound (as in "real" 60's-70's funk), not the "crappola" stuff that ought to be called "junk", that calls itself funk, today. At first I was afraid I'd hear a bit of rap, or hip-hop thrown into the mix, but thank goodness, the band refuses to take on the usual phoney, compromises that (all too often) bands from the distant past, will succumb to just to be accepted today. The only thing "new" is better, clearer production and the rhythm section up a bit in the mix, as it should be.
My only critisisms are the background vocals on tracks 4 and 5, I think they were. Although "in key", and everything, they're not harmonies, but male/female octaves being a bit too loud, and they sound oddly out of place. Ironically, all the other background vocals sound great, as does Lydia, the horns, etc. There are some great songs, but I can't figure why they did "Down to the Bone" again, which doesn't sound quite as powerful as the original version, but it still sounds good. Overall, the cd is great, and I can see why the one reviewer would blast this in her car! I could easily picture driving a convertible along the sunny California coast, letting this fine "real" funk blast away, through a good sound system!"