Each of these Tres Chicas were members of justly lauded bands in the 1980s and 1990s: Lynn Blakey with Oh OK, Let's Active, and most recently Glory Fountain; Caitlin Cary with Whiskeytown; and Tonya Lamm with Hazeldine. Fo... more »rmed after a chance encounter in Raleigh, North Carolina, the trio has a wealth of self-penned songs on which to showcase their gorgeous harmony vocals. This debut release outshines other such talent-packed ensembles, embracing everything from gospel harmonies to front-porch singalongs. Instead of coming off as a revolving centerstage, the three are so fully present on every song that each of their individual compositions bears the stamp of the whole group. Their guitars and violin are joined by occasional keyboards and a spare rhythm section (including producer Chris Stamey on bass). Covers of Loretta Lynn ("Deep As Your Pocket") and George Jones ("Take the Devil Out of Me") show a glimpse of their roots, but their original material stands near-equal to that of their forebears. --David Greenberger« less
Each of these Tres Chicas were members of justly lauded bands in the 1980s and 1990s: Lynn Blakey with Oh OK, Let's Active, and most recently Glory Fountain; Caitlin Cary with Whiskeytown; and Tonya Lamm with Hazeldine. Formed after a chance encounter in Raleigh, North Carolina, the trio has a wealth of self-penned songs on which to showcase their gorgeous harmony vocals. This debut release outshines other such talent-packed ensembles, embracing everything from gospel harmonies to front-porch singalongs. Instead of coming off as a revolving centerstage, the three are so fully present on every song that each of their individual compositions bears the stamp of the whole group. Their guitars and violin are joined by occasional keyboards and a spare rhythm section (including producer Chris Stamey on bass). Covers of Loretta Lynn ("Deep As Your Pocket") and George Jones ("Take the Devil Out of Me") show a glimpse of their roots, but their original material stands near-equal to that of their forebears. --David Greenberger
Super blend of three alt.country/rock female voices
hyperbolium | Earth, USA | 08/01/2004
(5 out of 5 stars)
"Though they've been singing together for five years, this trio of alt.country/rock vocalists (Caitlin Cary of Whiskeytown, Lynn Blakey of Let's Active and Glory Fountain, and Tonya Lamm of Hazeldine) has only recently found their way to a commercial release - and its completeness is stunning. The ease with which their voices fit together brings to mind the sort of harmony found by CS&N, with leads slipping seamlessly from one vocalist to another. Imagine what Kelly Willis would sound like if she had two equally strong singers with whom to trade verses and backings, or if the Dixie Chicks' image wasn't so glammed up and their vocals not so fully dominated by Natalie Maines.
Better yet, all tres of the Chicas write, apart and together, providing a disc full of songs that match up to their finely selected covers of Lucinda Williams' "Am I Too Blue," Loretta Lynn's "Deep as Your Pocket," and George Jones' "Take the Devil Out of Me." Particularly fetching originals include Blakey's country rock title tune, Cary's waltz-time "Desire," and the group-written "When Was the Last Time." Chris Stamey's production is typically uncluttered and elegant, putting the focus on the voices, with dabs of instrumental talent from the group and selected guests. Tres Chicas' debut not only captures their musical harmony, but their deep personal friendships. Such kinship (rather than just group membership) is rare to begin with, but connecting it to a studio recording - and on a debut! - is a feat accomplished by just a lucky and talented few."
It don't Get Much Better Than This
Rick E. Lund | West Point, Utah USA | 07/09/2004
(5 out of 5 stars)
"If you like great female singer/songwriters, and you like it a little bit counry, a little bit pop, and a little bit folk, then get this Cd as quick as you can. It is one of my favorite Cd's of the summer."
Long ago, now
Randy Burge | Santa Fe, New Mexico USA | 07/04/2004
(5 out of 5 stars)
"The early great reviews of Tres Chicas talents and expressions are right on, fully demonstrated in Sweetwater. In the genre, move this gem to the top of your playlist and plan a place for it among your classics. Their songs meld the past with the present, the heart with the soul. The world is richer for their joining voices."
Tres Sweet
Thomas Magnum | NJ, USA | 07/09/2004
(4 out of 5 stars)
"Tres Chicas is a the alternative-country answer to the Thorns, an all-female "supergroup" consisting of Caitlin Cary, Tonya Lamm & Lynn Blakey of Whiskeytown, Hazeldine and Glory Foundation respectively. Those groups bubbled under the radar with their critically respected, no commercial sales music. Sweetwater will probably follow the same sales fate, but it will garner the same critical praise. The songs have a down home feel to them, with soft harmonies and acoustic touches like a mandolin and stand up bass. The trio does amp it up in spots like on the title track, "Heartbeat" and especially on a cover of Loretta Lynn's "Deep As Your Pocket" which features a spirited vocal interplay and fuzz-toned guitar riff. Sweetwater is a smooth and breezy listen and worth checking out."
Tres Chicas are Still As Sweet Three Years After...
Peter Walenta | Long Island, New York USA | 12/16/2007
(5 out of 5 stars)
"This record was lauded as a milestone achievement in the modern alt.country genre by the other reviewers here upon its' release in 2004. Sadly, one reviewer's observation that came true was that this album would slip under the radar; overshadowed by the more commercial Dixie Chicks, among others. Now nearly 4 years after it's release, I stumbled upon this record after seeing it in No Depression magazine's list of the 50 Finest Alt.Country Albums of 2004. When looking for some light summer reading this year, I thumbed through some back issues of No Depression that had been piling up on my desk, and I found the Jan-Feb 2005 issue that contains the aforementioned "list" and clocking in at #45 out of the 50 records, is "Sweetwater" by Tres Chicas. I've personally been very skeptical of end of the year `best of' lists made by anybody (myself included) because I don't think that enough time has elapsed for people to just sit down with a record and let the sound grow on them. Granted we need to acknowledge great sounding albums that define our life's soundtrack, but much of this end of the year handicapping is like holiday shopping; stressed out and rushed. Well, after 3 years, I'm fairly sure that enough time has elapsed, and what everybody else said here still rings true. "Sweetwater" is a "gorgeous" sounding album and if you don't have this album, by all means, go out and buy it.
"Sweetwater", stylistically echoes the great 1987 album "Trio" by the stellar country ladies harmony "super"-group of Emmylou Harris, Dolly Parton and Linda Ronstadt, because it is a record that captures the sound of a group of friends who stumbled upon the fact that when they sang together, they made beautiful music. Caitlin, Tonya and Lynn sing in near perfect harmony on originals and on some well chosen covers, especially Lucinda Williams' "Am I Too Blue". Chris Stamey adds a nice rock sensibility to the production, so that a smooth blend of back woods traditional country and straight ahead rock is achieved. Lyrically, the original songs by Cary, Lamm and Blakey are sharp observations on love lost and found. The standout original song is Lynn Blakey's "Heartbeat" which is the most rocking tune and which sounds very much influenced by Richard and Linda Thompson. Again, if you had read all of this three years ago, then you've got the record. For those of us who are just discovering the Chicas, their debut, "Sweetwater" is the genuine ticket. It's a pleasure to listen to and highly recommended!"