Carols of Death, pieces (3) for chorus: The Last Invocation
Carols of Death, pieces (3) for chorus: The Unknown Region
Carols of Death, pieces (3) for chorus: To All, To Each
The Mask, for chorus, piano & chamber ensemble: We Wear the Mask
The Mask, for chorus, piano & chamber ensemble: Heritage
The Mask, for chorus, piano & chamber ensemble: Shadow
The Mask, for chorus, piano & chamber ensemble: Worn Faces
The Mask, for chorus, piano & chamber ensemble: Interlude for Natalie
The Mask, for chorus, piano & chamber ensemble: Portrait
The Hour Glass, for 4 voices: O know to end as to begin
The Hour Glass, for 4 voices: Have you seen the white lily grow
The Hour Glass, for 4 voices: O do not wanton with those eyes
The Hour Glass, for 4 voices: Against Jealousy
The Hour Glass, for 4 voices: Lament
The Hour Glass, for 4 voices: The Hour-Glass
Psalms (4) for chorus, 2 pianos & orchestra: Part 1. Psalm 122:1-2; Psalm 95:4
Psalms (4) for chorus, 2 pianos & orchestra: Part 2. Psalm 98:1, 4, 6
Psalms (4) for chorus, 2 pianos & orchestra: Part 3. Psalm 23:1-3
American choral music has many — faces and, while aware of tradition, — often looks resolutely towards the — future. Vincent Persichetti's Mass — envelops an original cantus firmus in — a shimmering silken garment of — ever-shif... more »ting harmonies, while
American choral music has many
faces and, while aware of tradition,
often looks resolutely towards the
future. Vincent Persichetti's Mass
envelops an original cantus firmus in
a shimmering silken garment of
ever-shifting harmonies, while
Lukas Foss provides a lyre-like
accompaniment for his lean,
sometimes athletic, settings of three
Psalms. Irving Fine sets poems by
Shakespeare's contemporary Ben
Jonson (The Hour-Glass), William
Schuman draws on texts by Walt
Whitman for his Carols of Death,
while William Bolcom uses African-
American poems as the basis for a
wide-ranging song cycle, The Mask.