The diversity of modern Jewish music is a result of centuries of hard traveling and cultural interaction. The secular and religious sounds of the Diaspora now embrace everything from European memories to the Latin experien... more »ce to folk and modern pop styles from the Middle East. For example, the jazzy pathos of klezmer music reflects shtetl (village) life in Russia and Poland during the early 20th century, while the Arabic-tinged Sephardic repertoire dates from medieval times and then back to Sinai. This thoughtfully assembled sampler covers the major roots and branches plus some bonus oddities. Among the stand-outs are Israeli folk singer Chava Alberstein singing with The Klezmatics, a love song from the late Yemenite chanteuse Ofra Haza, and pianist Uri Caine's avant-garde treatment of a 13th-century Moroccan text. The American ex-hippie Uzca, who sings in an imaginary language, is in a class of his own. --Christina Roden« less
The diversity of modern Jewish music is a result of centuries of hard traveling and cultural interaction. The secular and religious sounds of the Diaspora now embrace everything from European memories to the Latin experience to folk and modern pop styles from the Middle East. For example, the jazzy pathos of klezmer music reflects shtetl (village) life in Russia and Poland during the early 20th century, while the Arabic-tinged Sephardic repertoire dates from medieval times and then back to Sinai. This thoughtfully assembled sampler covers the major roots and branches plus some bonus oddities. Among the stand-outs are Israeli folk singer Chava Alberstein singing with The Klezmatics, a love song from the late Yemenite chanteuse Ofra Haza, and pianist Uri Caine's avant-garde treatment of a 13th-century Moroccan text. The American ex-hippie Uzca, who sings in an imaginary language, is in a class of his own. --Christina Roden
"Putamayo Music excels at compiling, branding, and marketing a variety of world music styles. With this CD, they offer samples of modern renditions on classic Jewish styles from Ashkenazi/ European Jewry, Klezmer (kley-zemer), Sephardic/Iberian/North African/Levantine/Turkish Jewry, and Mizrahi/Arab country Jewry. The songs on this CD include those in Yiddish, Ladino (Judeo-Espanol/ Castilian/ Catalan/ Galician), Hebrew, and gibberish.The first cut is Di Goldene Pave (The Golden Peacock) from the 15 year old band, The Klezmatics, and the Polish born Israeli songstress, Chava Alberstein. The lyrics are based on a Yiddish poem by Russian-Jewish-American poet, Anna Margolin. It is rendered as a beautiful Yiddish classic lullaby.The second cut is from the British group, Burning Bush. Rad Halaila (The Night is Strong) is a well known Hassidic Hebrew melody calling upon an eternal god to return, return (shuvi, shuvi) to your children so that we can dance a hora. The clarinet riffs and accordion and violin backups are worth the purchase of the CD. The third cut comes to the CD from Italy's top Jewish ensemble, KlezRoym. They sing Fel Shara, a traditional Sephardic love song in Ladino, Italian, English, Arabic and French, English and Arabic. The lead singer, Eva Coen. The fourth cut is a melody for the Sabbath from Philadelphia-born pianist Uri Caine and singer Aaron Bensoussan. It is a mix of traditional Sephardic music with jazz. Their rendition of Lecha Dodi makes you want to welcome the Sabbath castanets. The fifth cut is by the late Israeli singer, Ofra Haza, the Queen of Israeli Yemenite music. She passed away last year at age 41. In her song, Rachamim, you can just feel compassion descending upon her in the sounds of the woodwinds. (but then of course, Rachamim can be the name of her lover). The sixth cut didn't do anything for me. Uzka is short for Marcus Uzilevsky (Rusty Evans). In Kona Hora, he returns to his Jewish roots and couples violin lines inspired by Jewish melodies with Middle-Eastern percussion. He sings in a gibberish he calls his "spirit language" which I think sounds like Hebrew, but don't tell him that.The seventh cut is by Hankus Netsky and his 21 year old Klezmer Conservatory Band. Their Meron Nign was well-arranged by the madolin-playing Jeff Warschauer. The mix of Hassidic niggun and middle eastern style is peppy. I expected a vocal to start at any moment, but it never comes. (kind of like the messiah) You kind of want to run out to Meron and shave your kids head (not). The eighth cut is from Turkish Jewry. Ija Mia Mi Kerida (My Dear Daughter) is sung in Ladino in a style of father and daughter in conversation, to beautiful guitar backup. The ninth cut is Las Estreyas (the Stars), sung by Chilean born Consuelo Luz of Santa Fe It is a love ballad from pre-Inquisition Spain. Although raised Catholic, she discovered converso-Jewish roots on her mother's side (the Avila family of the converso, St. Teresa of Avila), and now sings in Ladino. The tenth cut is from Ontario's 18 year old klezmer ensemble, Finjan. Dancing on Water is based on a classic, niggun-like melody. Make you want to skate or dance. The CD closes with a selection from Fortuna, a bossa nova singer from São Paulo, Brazil. She started to dream of Sephardic tunes and explored its heritage, recording 4 CD's. Her Shalom Aleichem piece is not as exciting as her life story, but it includes excellent guitar accompaniment and it somehow seemed as if a Flamenco dancer was involved in the backup."
Amazing collection for both world & Jewish music lovers
E. Heller | Atlanta, GA | 10/16/2000
(5 out of 5 stars)
"While Putumayo can always be trusted to create a quality world music CD with appeal across many types of listeners from many different backgrounds - this CD shows what they really excel at - bringing those people together and bringing into the fold people who never would have thought that they would be interested in ethnic music from this background. This music on this disc is beautiful and interestingly, relaxing. I listen to it in the background at work and find that it is actually really soothing. I think that you will find that this disc would make a great present for any Jewish music lover or world music lover and besides, how can you go wrong with Putumayo! ;-)"
Marvelous & Must for Collections: Fine Gift
Dr. Alan D. Kardoff | Palm Bay, FL USA | 05/10/2001
(5 out of 5 stars)
"This is an excellent CD. Those seeking an appropriate gift would be well advised to consider buying this CD and sending it with proper wrapping. The music is lively, authentic, meaningful, moving and delightful. Fittingly the CD closes with "Shalom Aleichem and I found myself singing along. The 11 tracks contain some songs that are unfamiliar in name but are able to be sung as soon as the first notes are sounded. The sound is Klezmer-like. But, Klemezer is a part of the Jewish roots.This musical history review includes songs from each of the three main Jewish culture categories: Ashkenazi, Mizrahi and Sephardic. The performers come from all parts of the world. Some songs are new and others have ancient roots.My only question is When will "A Jewish Odyssey II" be issued. The CD is enjoyable and a hit. Movie makers would have issued III by now. Buy with Nachas. L'Chaim,Alan D. Kardoff, Melbourne FL"
Get Your Feet Moving!!!
Gregory Nyman | Winchendon, MA United States | 03/17/2003
(5 out of 5 stars)
"You don't have to understand Yiddish to appreciate this collection of Jewish music from around the world. As some of the literature suggests, while Jewish music is extremely varied and clear boundaries can be difficult to define, there are three main categories. "Ashkenazi" includes European styles such as klezmer; "Sephardic" is primarily the music of Jews from the Mediterranean including Spain, Portugal, North Africa, Greece, and Turkey; "Mizrahi" is the music of Jewish communities which were based for thousands of years in Arabic countries, and of course, there is also Israeli popular music, which incorporates all of these styles as well as Western pop and folk music.This CD has many of these styles, and you will hear selections from Israel/USA, United Kingdom, Italy, Turkey, Chile/Cuba, Canada, and Brazil, to just mention a few.I love this album, and it gets my feet thumping, and I want to dance, dance, and dance. There are also the quieter melodies, albeit somewhat melancholic, but ranging from intensity to intensity.A wonderful collection. Now if I can only learn the language."
A wonderful collection
G. Sawaged | Canada | 08/08/2001
(5 out of 5 stars)
"I am not Jewish, but you don't have to be to enjoy these songs. This album happens to be one of my favourites of the Putumayo releases. A couple of the songs were instantly familiar to me even though I thought I knew none of the songs when I bought this album. Each and every song on here is wonderful...some are traditional folk songs while others are newer compositions. The 23 page booklet includes a 3 page history of Jewish music, and each artist has a page about them, including a photograph. I highly recommend this album to just about everyone. My husband is Arabic and he too loves these songs. Music truly is borderless."