Reinvigorates an interest in Nashville's R&B music of fifty
J. Ross | Roseburg, OR USA | 10/25/2005
(4 out of 5 stars)
"Playing Time - CD1 (47:00), CD2 (54:34)-- Continuing with a desire to re-release "hits and rarities" from a great 25-year era of Music City R&B, the Country Music Hall of Fame has compiled a second volume from 25 different record labels. There's also one live track never before heard on record (The Imperials' "Lucky Lou") which was recorded on the bandstand by guitarist George Yates. Both of the volumes in this series coincide with an exhibition that was held at the Museum in 2004-5, held to document an underreported era in Nashville's music history, the story of Nashville's R&B heyday from pre-World War II roots through its ongoing connections to country music.
Disc #1 captures Nashville in the late 1940s and 50s. Rhythm & blues is the black popular music genre, emerging at that time, and which became a big influence on rock `n' roll and even pop music today. Check out pianist Bernie Hardison's 1955 rendition of "Too Much," a song that Elvis took to the top of the pop charts two years later. The roots of R&B were the country blues, vaudeville `hokum,' big band and swing. As the big band era came to an end, groups got smaller, and vocalists fronted combos presenting blues and pop. Lyrics were often fun and humorous. The music was very danceable too.
Volume 2 has rollicking barrelhouse piano, steaming saxophone, smooth vocals, raucous singing, and even some doo wop groups that accented soulful singing. The Gladiolas' "Little Darlin" is imparted with a calypso beat. One of Little Ike's only known recordings is "She Can Rock." We know that the electric guitar made inroads into R&B, and I'm curious about the instrument's minor roll in the music of this release. We hear Johnny Jones playing it on the 1959 release of Charles Walker and the Daffodils' "No Fool No More." The electric guitar also gives Freddie North's "OK, So What?" a sweet country twang. Christine Kittrell's bluesy "I'm a Woman" wouldn't be the same without electric guitar and sax. Johnny Jones' "Soul Poppin'" has some swinging trumpet too. A colorful commercial message at track 11 on disc#2 encourages us to buy a swinging soul medallion for only $3.
Many of the great musicians on this release are unnamed Nashville cats who really knew how to jump with their jive. With a 32-page booklet insert, this CD is a splendid introduction to some fantastic music of not so long ago. These remastered tracks have very high fidelity. At the time, Nashville seemed open-minded to new musical ideas, and record producers were encouraging boundaries to be expanded. Just like the ground-breaking television show back then, "Night Train," this 2-disc CD will reinvigorate an interest in R&B music of fifty years ago. (Joe Ross, Roseburg, OR.)
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A True Gem
Bug Lady | Lemon Cove, CA | 01/05/2007
(5 out of 5 stars)
"I like Blues. I like Blues that aren't the run-of-the mill type Blues. I never imagined that music like this could come out of Nashville. It shows what a Mecca Nashville was and how quality music could be produced despite being known for only one genera. This was a wonderful glimpse into a part of the Blues that is little known. The CD works well played straight through; its not boring or monotonous. It is great as part of a mix too. It gave me a pleasant surprise. I loved it! I loved "Night Train to Nashville" just as much."
Excellent follow-up to volume one.
fluffy, the human being. | forest lake, mn | 08/27/2007
(4 out of 5 stars)
"another 2 cd set of nashville r & b, circa 1945 to 1970. once you discover volume one of Night Train to Nashville, you will want volume two, as well. i'm just sure that you will. this set has some of the same artists that appeared on volume one, but it also adds new names. a fun, solid follow-up to its fantastic predecessor. music full of energy and personality. i recommend it to all r & b lovers."