Act I, Scene One: 'That Pretty Girl I've Been Seeing In The City' - Arthur Davies/Terry Jenkins
Act I, Scene One: 'If A Woman Should Happen To Catch My Eye' - Arthur Davies
Act I, Scene One: 'You're Going? That's Cruel' - Arthur Davies/Linda McLeod/John Rawnsley/ENO Chor/Leslie Fyson
Act I, Scene One: 'It's Happened! It's Happened!' - Alan Opie/ENO Chor/Leslie Fyson/Arthur Davies/John Rawnsley/Mark Richardson/Terry Jenkins
Act I, Scene One: 'I Demand To See Him' - Norman Bailey/Arthur Davies/John Rawnsley/Terry Jenkins/Alan Opie/Mark Richardson/ENO Chor...
Act I, Scene Two: 'The Old Man Laid His Curse On Me!' - John Rawnsley/John Tomlinson
Act I, Scene Two: 'We Are Equals' - John Rawnsley
Act I, Scene Two: 'Gilda!' - John Rawnsley/Helen Field
Act I, Scene Two: 'Ah, Do Not Demand Of One So Sad' - John Rawnsley/Helen Field/Shelagh Squires
Act I, Scene Two: 'Oh, Dear Giovanna, Guard My Daughter' - John Rawnsley/Helen Field/Shelagh Squires/Arthur Davies
Act I, Scene Two: 'Giovanna, I Should Have Told Him' - Helen Field/Shelagh Squires/Arthur Davies
Act I, Scene Two: 'Love Is The Source Of Life, Love Is Our Sunlight' - Arthur Davies/Helen Field/Mark Richardson/Terry Jenkins/Shelagh Squires
Act I, Scene Two: 'Gualtier Malde, You Were The First To Love Me... Dearest Name Of My First Love' - Helen Field/Terry Jenkins/Mark Richardson/ENO Chor/Leslie Fyson/Alan Opie
Act I, Scene Two: 'I Have Returned. But Why?' - John Rawnsley/Terry Jenkins/Mark Richardson/Alan Opie
Act I, Scene Two: 'Softly, Softly We Move In To Get Her' - Alan Opie/Mark Richardson/Terry Jenkins/Helen Field/ENO Chor/Leslie Fyson/John Rawnsley
Track Listings (22) - Disc #2
Act II: 'Somebody Came And Stole Her But When?' - Arthur Davies
Act II: 'Somewhere I See You Weeping' - Arthur Davies/Alan Opie/Mark Richardson/Terry Jenkins
Act II: 'We Went To Look For Her Last Night Together' - Alan Opie/Mark Richardson/Terry Jenkins/Arthur Davies
Act II: 'The Power Of Love Is Calling' - Arthur Davies/Alan Opie/Mark Richardson/Terry Jenkins
Act II: 'Poor Little Rigoletto...' - Alan Opie/John Rawnsley/ENO Chor/Leslie Fyson/Mark Richardson/Linda Rands/Terry Jenkins
Act II: 'Filthy Rabble, You Liars, You Cowards' - John Rawnsley
Act III: 'But Who Can Be Inside Here?' - John Rawnsley/Helen Field
Act III: 'It's All My Fault' - Helen Field/John Rawnsley
Act III: 'Ah, Soon, In Heaven' - Helen Field/John Rawnsley
This latest release in Chandos's popular Opera in English series is also, intelligently, a record of the later incarnation of Jonathan Miller's successful adaptation of Rigoletto, which shifts its location from mediaeval M... more »antua to the dives of New York's gangsters in the early '50s. In practice, this means very minor adjustments to the text; this is a fluent translation the effect of which does not depend on the period in which sets and costumes place it. The vigorous performances remind us that this is an almost unsinkable work that does not require the greatest voices in the world--ENO singers such as John Rawnsley and Helen Field are solid singers of the second rank, while John Tomlinson is something rather more, making the comparatively minor part of Sparafucile hold the stage on each of his appearances. This is a very theatrical recording, intelligently cast in the minor roles; the veteran Norman Bailey makes the angry patriarch Monterone's curse particularly telling. --Roz Kaveney« less
This latest release in Chandos's popular Opera in English series is also, intelligently, a record of the later incarnation of Jonathan Miller's successful adaptation of Rigoletto, which shifts its location from mediaeval Mantua to the dives of New York's gangsters in the early '50s. In practice, this means very minor adjustments to the text; this is a fluent translation the effect of which does not depend on the period in which sets and costumes place it. The vigorous performances remind us that this is an almost unsinkable work that does not require the greatest voices in the world--ENO singers such as John Rawnsley and Helen Field are solid singers of the second rank, while John Tomlinson is something rather more, making the comparatively minor part of Sparafucile hold the stage on each of his appearances. This is a very theatrical recording, intelligently cast in the minor roles; the veteran Norman Bailey makes the angry patriarch Monterone's curse particularly telling. --Roz Kaveney