Search - Wasp :: Headless Children

Headless Children
Wasp
Headless Children
Genres: Rock, Metal
 
  •  Track Listings (16) - Disc #1

Reissue of Blackie & the boys' 1988 album for Capitol with six bonus tracks added: covers of Jethro Tull's 'Locomotive Breath' & Metallica's 'For Whom The Bell Tolls', plus 'Lake Of Fools', 'War Cry' and live vers...  more »

     

CD Details

All Artists: Wasp
Title: Headless Children
Members Wishing: 3
Total Copies: 0
Label: Capitol
Release Date: 10/25/1990
Genres: Rock, Metal
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 077774894227

Synopsis

Album Description
Reissue of Blackie & the boys' 1988 album for Capitol with six bonus tracks added: covers of Jethro Tull's 'Locomotive Breath' & Metallica's 'For Whom The Bell Tolls', plus 'Lake Of Fools', 'War Cry' and live versions of 'L.O.V.E. Machine' & 'Blind In Texas', both recorded at the Hammersmith in 1989. 16 tracks total. Also features the original cover art. 1998 Snapper release.

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Member CD Reviews

Lowell K. (loki) from LODI, CA
Reviewed on 6/25/2011...
This is my first WASP CD. I don't know why I never listened to WASP over the years. This CD just rips. Not a bad song on it IMO. I think Wasp sounds a lot like Judas priest on this CD, only WASP is nastier.
0 of 1 member(s) found this review helpful.

CD Reviews

One of their best
John Alapick | Wilkes-Barre, PA United States | 08/22/2003
(4 out of 5 stars)

"The Headless Children is a very strong album from W.A.S.P. and certainly among their best. This album was certainly a welcome surprise upon its release after their previous uneven studio album Inside The Electric Circus and their okay live album Live...In The Raw. Blackie Lawless wanted to go in a heavier and more serious direction on this album and most of the time it works. The lyrics on this album are certainly among his best and only their next album The Crimson Idol rivals its intensity.



The first half of this album is simply killer as "The Heretic (The Lost Child)", "Thunderhead", and the title track are all among their best work. Frankie Banali's drumming on this album is fantastic, much better and heavier than on his albums with Quiet Riot. The band also added Uriah Heep keyboardist Ken Hensley on this album and his work on the title track, "Thunderhead" and "The Neutron Bomber" makes these tracks even more powerful. The band's version of "The Real Me", highlighted by Johnny Rod's bass playing and Lawless's vocals, is an excellent track. "Forever Free" is also a strong track, certainly one of their best ballads. The other tracks aren't as strong as the rest of the album with "Mean Man" being the best of them. The remastered version features several bonus tracks including their cover of Jethro Tull's "Locomotive Breath" and live versions of "Blind In Texas" and "L.O.V.E. Machine." This album along with W.A.S.P. and The Crimson Idol is their best work."
Fluctuates between brilliance and corniness
Patrick Thompson | Sydney, NSW Australia | 08/03/2003
(4 out of 5 stars)

"This was a very cool album when it was released and still sounds good, even now. For the main part it is brilliant in its darkness and fear of what we are becoming (well so it seemed at the time). The headless children and the heretic embody this like very few other songs do: the mess and immorality, decay and bereftness of society and the overarching fear of war and destruction. The track, the real me, sandwiched between these two tracks, makes it personal. So this starts with a triple shot bang...1-2-3...bang-bang-bang. Great stuff. It tends to lose its way a little after the headless children: thunderhead is corny and dumb. Mean man redeems this for the most part (except for the line about a heavy metal creature-> never refer to yourself) Forever free is a good ballad, not WASP's best (Hold on to my heart, Crimson Idol takes that honor) but not bad either: it was surprising at the time because it was un-wasplike! Meaneater and neutron bomber are kinda benignly blah: filler. And rebel in the FDG (f**king degenerate generation) is okay. Mephisto Waltz is the track that most annoys me since it could have, should have been developed into a song. Such a waste of a good melody. A crime that it was used as a segue rather than being explored in its own right- hence devaluing its hauntedness.SO there are some very, very killer songs here and some others that just emphasize how good the really good ones are by their lack of quality. The fact that i give this 4 stars: one each for the really good songs."