Blue Eyes Crying in the Rain - Willie Nelson, Rose, Fred
If You've Got the Money (I've Got the Time) - Willie Nelson, Beck, Jim
Georgia on My Mind - Willie Nelson, Carmichael, Hoagy
Blue Skies - Willie Nelson, Berlin, Irving
My Heroes Have Always Been Cowboys - Willie Nelson, Rice, Sharon
On the Road Again - Willie Nelson, Nelson, Willie
Always on My Mind - Willie Nelson, Christopher, Johnny
City of New Orleans - Willie Nelson, Goodman, Steve [1]
Forgiving You Was Easy - Willie Nelson, Nelson, Willie
Living in the Promiseland - Willie Nelson, Jones, David [05] L
Midnight Rider - Willie Nelson, Allman, Gregg
Remember Me (When the Candlelights Are Gleaming) - Willie Nelson, Wiseman, Bo
Uncloudy Day - Willie Nelson, Nelson, Willie
Angel Flying Too Close to the Ground - Willie Nelson, Nelson, Willie
The Last Thing I Needed First Thing This Morning - Willie Nelson, Farar, Donna
Nothing I Can Do About It Now - Willie Nelson, Chapman, Beth Niels
A greatest-hits package from an artist who thrived on concept albums is a frightening proposition. Even the liner notes refer to him as the "all-time #1 country album artist." To top it off, much of Nelson's best work--... more »Yesterday's Wine, Shotgun Willie, and Phases And Stages, for example--was commercially unsuccessful (not to mention on a different label). While Red-Headed Stranger and Stardust did make commercial inroads, they're best digested as single entities. With all that said, these Columbia chart toppers, which span from 1975 to 1989, still make for enchanting listening. By illustrating Nelson in his various moods---pop standards, honky tonk, cowboy, folk, gospel---it provides a worthwhile introduction, and will help newcomers decide where to move next. --Marc Greilsamer« less
A greatest-hits package from an artist who thrived on concept albums is a frightening proposition. Even the liner notes refer to him as the "all-time #1 country album artist." To top it off, much of Nelson's best work--Yesterday's Wine, Shotgun Willie, and Phases And Stages, for example--was commercially unsuccessful (not to mention on a different label). While Red-Headed Stranger and Stardust did make commercial inroads, they're best digested as single entities. With all that said, these Columbia chart toppers, which span from 1975 to 1989, still make for enchanting listening. By illustrating Nelson in his various moods---pop standards, honky tonk, cowboy, folk, gospel---it provides a worthwhile introduction, and will help newcomers decide where to move next. --Marc Greilsamer