Sonata No.1 In F Major For Two Oboes, Bassoon And Basso Continuo: Adagio ma non troppo
Sonata No.1 In F Major For Two Oboes, Bassoon And Basso Continuo: Allegro
Sonata No.1 In F Major For Two Oboes, Bassoon And Basso Continuo: Larghetto
Sonata No.1 In F Major For Two Oboes, Bassoon And Basso Continuo: Allegro assai
Sonata No.2 In G Minor For Two Oboes, Bassoon And Basso Continuo: Andante
Sonata No.2 In G Minor For Two Oboes, Bassoon And Basso Continuo: Allegro
Sonata No.2 In G Minor For Two Oboes, Bassoon And Basso Continuo: Andante
Sonata No.2 In G Minor For Two Oboes, Bassoon And Basso Continuo: Allegro
Sonata No.3 In B Flat Major For Violin, Oboe, Bassoon And Basso Continuo: Adagio
Sonata No.3 In B Flat Major For Violin, Oboe, Bassoon And Basso Continuo: Allegro
Sonata No.3 In B Flat Major For Violin, Oboe, Bassoon And Basso Continuo: Largo
Sonata No.3 In B Flat Major For Violin, Oboe, Bassoon And Basso Continuo: Tempo giusto
Track Listings (11) - Disc #2
Sonata No. 4 In G Minor For Two Oboes, Bassoon And Basso Continuo: Andante
Sonata No. 4 In G Minor For Two Oboes, Bassoon And Basso Continuo: Allegro
Sonata No. 4 In G Minor For Two Oboes, Bassoon And Basso Continuo: Adagio
Sonata No. 4 In G Minor For Two Oboes, Bassoon And Basso Continuo: Allegro ma non troppo
Sonata No. 5 In F Major For Two Oboes, Bassoon And Basso Continuo: Allegro
Sonata No. 5 In F Major For Two Oboes, Bassoon And Basso Continuo: Adagio
Sonata No. 5 In F Major For Two Oboes, Bassoon And Basso Continuo: Allegro
Sonata No. 6 In C Minor For Two Oboes, Bassoon And Basso Continuo: Andante
Sonata No. 6 In C Minor For Two Oboes, Bassoon And Basso Continuo: Allegro
Sonata No. 6 In C Minor For Two Oboes, Bassoon And Basso Continuo: Adagio
Sonata No. 6 In C Minor For Two Oboes, Bassoon And Basso Continuo: Allegro
Oboist Heinz Holliger created quite a stir when he first recorded the impossibly difficult trio sonatas of Jan Dismas Zelenka (1679-1745) in the early '70s, and this recording for ECM proves he hasn't forgotten the magic o... more »f the baroque composer. Zelenka--a lesser-known Dresden court composer--is perhaps best remembered for his numerous vocal works, but his trio sonatas (and his orchestral music, for that matter) is memorable, to say the least. Highly expressive, loaded with demanding passages (the over-the-top but lovely Sonata No. 5 should be heard by all baroque fans), and downright peppy with a dancelike structure, these are great compositions. Holliger and his ensemble are in top form, embracing this innovative but underheard music to its fullest potential. A highly recommended disc. --Jason Verlinde« less
Oboist Heinz Holliger created quite a stir when he first recorded the impossibly difficult trio sonatas of Jan Dismas Zelenka (1679-1745) in the early '70s, and this recording for ECM proves he hasn't forgotten the magic of the baroque composer. Zelenka--a lesser-known Dresden court composer--is perhaps best remembered for his numerous vocal works, but his trio sonatas (and his orchestral music, for that matter) is memorable, to say the least. Highly expressive, loaded with demanding passages (the over-the-top but lovely Sonata No. 5 should be heard by all baroque fans), and downright peppy with a dancelike structure, these are great compositions. Holliger and his ensemble are in top form, embracing this innovative but underheard music to its fullest potential. A highly recommended disc. --Jason Verlinde
CD Reviews
One of the best ever!
Gene Herron | 12/15/1999
(5 out of 5 stars)
"I am still waiting for the CD to arrive, but it was featured recently on National Public Radio. The little bit I heard was as fine as a classical performance can possibly be. The players play with an intensity and feeling that is truly uncommon in today's world of mass produdced, get it out the door now attitudes, with little real concern for quality.This CD will amaze you with the sheer brilliance and and quality of the performance and to serve as an outstanding introduction to a little known composer. This is a MUST HAVE for any classical music lover."
A forgotten work of genius until recently
Gene Herron | Pennsylvania, USA | 09/23/2000
(5 out of 5 stars)
"Heinz Holliger in the liner note of this work expressed regret that the "Zelenka Renaissance continues to proceed far too hesitantly". Perhaps this recording will lead the way to Jan Dismas Zelenka being given the due he was denied in his own lifetime and beyond. Wonderfully well performed, on modern instruments, of a suite of six trio sonatas which deserve to be played and played often.Zelenka was the "unbaroque" baroque composer. Every device of the genre can be found here on these Trio Sonatas, and yet, there is a depth of feeling and expression, from the sublime to the witty to an almost palpable cry of dispair answered with a succor of relief which is not often encountered in most baroque works. Every bit of the composition is polished and yet a sense of spontaneity, of wit and whimsy and deep emotion, affekt, appears just under the surface and sometimes, when you don't expect it, it leaps out and grabs you by the throat as if to say "This is as obvious as a snowflake and just as complex!". Heinz Holliger states that these works are a "...challenge to every musician and adventurous listener".The "challenge" appears in an understated grey case with enclosed liner notes. The composer a mysterious man who left very little, not even his portrait, to posterity save a handful of works which frighten, perplex, gratify and endear what he was to us. The performers, reserved men and women who have let their work speak for itself. You will wonder why this composition has languished in obscurity and you will agree with me that its time has finally arrived. I recommend this recording without reservation. Anyone who listens to and enjoys baroque music must have it."
Surprised by joy
Gene Herron | 01/03/2000
(5 out of 5 stars)
"The listener from NY gets it half right -- this music is marvelous. Anyone who goes to Zelenka expecting to encounter the generic baroque trio sonata is in for a bracing shock. On the other hand, NY's assessment of the performances is less pleasantly shocking. To describe Holliger et. al. as "dull as dishwater" is like complaining that Toscanini's pacing of Beethoven's symphonies is "inert as molasses." To take one example, just listen to the two oboes squealing like puppies above a deadpan harpsichord continuo! No mistake about it -- Zelenkas's trio sonatas are both wonderful music and wonderfully performed on this desert island disc."
Virtuoso Baroque on Modern Instruments
Ruminator | The Fencepost | 08/14/2004
(5 out of 5 stars)
"These compositions are marvellous for their elaborate counterpoint and high spirits. Played by Holliger and his ensemble, Zelenka's polyphonic melodies seem to spiral, weave and modulate indefinitely, having an academic sophistication comparable to Bach and energy level comparable to Vivaldi.
Of course, historical instruments might be preferred. Holliger doesn't produce the same goosyness of a baroque oboe. But who has made a recording that compares to this? Ensemble Zefiro may be strong competition, but they don't make it sound as easy and fluid (though I strongly recommend Zefiro for their Vivaldi concertos).
Holliger was an early advocate of Zelenka's instrumental work, and this is his second recording of the sonatas. The new performances are more polished and consistent, and with the addition of a lute to the continuo, more historically informed. The entire ensemble is a cast of accomplished veterans, and these sonatas allow plenty of opportunity for exhibiting their skills. Tempos are paced for a complementary balance of clarity and excitement, and Klaus Thunemann's agility on bassoon is especially astonishing. ECM's production is typically refined and clearly images the entire ensemble.
If you consider the DG box reissue of Holliger's earlier recording plus Camerata Bern's orchestral works, you'll get more music for your money, but the orchestral works are slightly inferior to the sonatas, in my opinion. Also, a 1-CD reissue of CB's Zelenka is now available as an import on the low-price Eloquence label. So with its 21st century sound quality weighing heavily in its favor, this ECM set has to be my favorite choice for the complete sonatas."
Wonderful!
Ruminator | 09/10/2003
(5 out of 5 stars)
"A pleasure to hear music so rarely played done in such glorious style. Exquisite orchestration and presentation."